My latest Locus column, "Why I Copyfight," was published a couple weeks back while I was on honeymoon and made quite a stir. It's intended as a concise answer to the question, "Why should we care about the copyright wars, anyway?"
The Internet is a system for efficiently making copies between computers. Whereas a conversation in your kitchen involves mere perturbations of air by noise, the same conversation on the net involves making thousands of copies. Every time you press a key, the keypress is copied several times on your computer, then copied into your modem, then copied onto a series of routers, thence (often) to a server, which may make hundreds of copies both ephemeral and long-term, and then to the other party(ies) to the conversation, where dozens more copies might be made.
Copyright law valorizes copying as a rare and noteworthy event. On the Internet, copying is automatic, massive, instantaneous, free, and constant. Clip a Dilbert cartoon and stick it on your office door and you're not violating copyright. Take a picture of your office door and put it on your homepage so that the same co-workers can see it, and you've violated copyright law, and since copyright law treats copying as such a rarified activity, it assesses penalties that run to the hundreds of thousands of dollars for each act of infringement.
There's a word for all the stuff we do with creative works – all the conversing, retelling, singing, acting out, drawing, and thinking: we call it culture.
Culture's old. It's older than copyright.
Why I Copyfight
On Wednesday, the Legislative Committee of the European Union narrowly voted to keep the two most controversial internet censorship and surveillance proposals in European history in the upcoming revision to the Copyright Directive -- as soon as July Fourth, the whole European Parliament could vote to make this the law of 28 EU member-states.
Wednesday's vote to press ahead with mandatory copyright filters for the European internet is catastrophic for the web: starting a new business just got $60-100 million more expensive, because building filters for every kind of copyrighted work ain't cheap.
This morning, the EU's legislative affairs committee (JURI) narrowly voted to include two controversial proposals in upcoming, must-pass copyright reforms: both Article 11 (no linking to news stories without permission and a paid license) and Article 13 (all material posted by Europeans must first be evaluated by a copyright filter and blocked if they appear […]
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The Adobe Creative Cloud is home to a suite of editing tools today’s creatives count on to produce their content. Whether you’re an aspiring photographer, animator, or graphic designer, Adobe’s programs can help you in your creative pursuits, and with the Complete Adobe CC Training Bundle, you can come to grips with six of them for […]