Carrie McLaren is a guest blogger at Boing Boing and coauthor of Ad Nauseam: A Survivor's Guide to American Consumer Culture. She lives in Brooklyn, the former home of her now defunct Stay Free! magazine.
Several years ago, when I put together the Illegal Art Exhibit, Craig Baldwin turned me on to "Uso Justo," a short film by Coleman Miller, and it was always one of my favorites in the show. Miller took a vintage Mexican melodrama and, by writing his own subtitles, turned it into an experimental film that it itself a sort of meta-commentary on experimental film. A terribly funny one at that.