Colin Dickey introduces the current Lapham’s Quarterly collection of rude and complaining messages left by monks in the margins of medieval manuscripts, a subject covered in detail in Image on the Edge: The Margins of Medieval Art, Michael Camille's 2004 book.
Depictions of sexual consort are frequent, among men and women, among various species of animals, and enough other combinations to make even contemporary readers blush. Camille cautions against reading such images as violations of the sacred text; because the medieval world was so rigidly hierarchized and structured, “resisting, ridiculing, overturning and inventing was not only possible, it was limitless.” That these psalters and books of hours often contained sacrilegious sentiments right alongside their holy piety, it seems, was perhaps the point: “We should not see medieval culture exclusively in terms of binary oppositions—sacred/profane, for example, or spiritual/worldly,” Camille explains. “Travesty, profanation, and sacrilege are essential to the continuity of the sacred in society.”
Living in the Margins
Before there was Big Tech, there was "adversarial interoperability": when someone decides to compete with a dominant company by creating a product or service that "interoperates" (works with) its offerings.
F Scott Fitzgerald, in a 1928 letter to Blanche Knopf: "As ‘cocktail,’ so I gather, has become a verb, it ought to be conjugated at least once." (via JWZ)
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When it comes to passwords, there’s no such thing as paranoia. You want them secure and complex, and you definitely don’t want to repeat them on all your accounts. The trouble is, the internet seems to keep growing. And so do those accounts. Just one lockout from an important email or banking site is enough […]
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