Cartoonist Jess Fink, creator of the erotic Victorian-era robot graphic novel Chester 5000-XYV has a new memoir out called We Can Fix It: A Time Travel Memoir.
It's got a premise that reminds me of something Nicholson Baker would come up with: Fink invents a time machine and travels into the past to visit younger versions of herself to warn herself not to do things that she ended up regretting as an adult. She visits her college-age self and tries to stop her from taking a drug that gives her a bad trip. She tells her high-school-age self not to make out with an unsavory boy. She tries to save her elementary-school-age self from a scary encounter with her mentally ill, violent father when he goes on a rampage with a crowbar. She intervenes dozens of times, but does it do any good? I'll let you read it and decide for yourself.
Unlike Chester 5000-XYV, there's no nudity involved in We Can Fix it!, but it does contain a fair number of scenes in which Fink has sex with versions of herself, and many of the incidents are about Fink's sexual encounters as a teen and young adult. Despite some of the heavy subject matter, Fink tells the story with charm and a light heart and renders it with appealing art.
We Can Fix It: A Time Travel Memoir
Sara Varon is co-creator, with Cecil Castellucci, of Odd Duck, the 2013 outstanding kids' picture book, and her latest solo venture, New Shoes is a brilliant reprisal of the themes from Odd Duck: camaraderie among eccentric animals, charming small-town life, fascinating technical details, humor, and beautiful, engaging illustrations.
Steven Brust is a literary treasure and his longrunning Vlad Taltos series, now nearing its final volume, is a good example of where his strengths lie: hardboiled plotting, snappy dialog, weirdly realistic and plausible depictions of magic, and a sensitive eye for power relationships and their depiction, all of which are on display in his latest, outstanding novel, Good Guys, about the minimum-wage sorcerers who investigate magical crimes on behalf of a secret society.
In honor of the Library of American Comics' publication of For Better or For Worse: The Complete Library, Vol. 1 (Volume 2 is out this summer), we are delighted to publish this essay by Lynn Johnston, contemplating the nature of writing a serial for decades and how she might approach her life's work today.
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