If Mozart had thought to populate The Abduction from The Seraglio with Vulcans and Klingons, he most certainly would have.
Instead, this adaptation was left to Josh Shaw, Artistic Director of the Pacific Opera Project (POP). Their production of The Abduction premiered at the Southern Illinois Music Festival, and had a short run in the Los Angeles area.
I did not get a chance to see it, but this review made me wish I had.
POP has translated that German “libretto,” or text, into English. And moved the harem to planet M113. And the Turkish Pasha? A Klingon Warlord. Don’t question it. The results are strangely glorious. And whether you are a rabid Star Trek fan or just versed enough to get by in pop culture, this zany and pitch-perfect opera triumphs in pure laugh-out-loud hilarity.
Opera is becoming harder and harder to sell, but the love for classic Star Trek is not dead. The production brings to mind the fan-made series Star Trek Continues, a fan-made passion project that feels to me like Waiting for Guffman in space; and another fan-made series, the even more impressive Star Trek Phase II, whose New Voyages is looking very snappy.
An entire genre of Saturday Night Live-style skit humor–what if celebrity x were absurdly cast in role y?–is made obsolete by deepfakery.
You gotta give it to these French-speaking folks for trying to pronounce these difficult-for-them English words. And you gotta give it Frenchly, the makers of the video, for making the words more challenging as it goes along. Psychophysicotherapeutics, anyone? [via; Previously]
One letter different, but a world apart.
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