The kamisama of manga. The Japanese Disney. The godfather of anime. Tezuka-san has had many labels bestowed upon him both before and after his untimely death, but very few do justice to his contributions to a truly transatlantic medium, one which has dramatically surged in popularity in the last decade.
A doyen of over 500 individual print titles and scores of feature films, his creations – numbering amongst them the maverick doctor of Black Jack, the epic treatise on immortality Phoenix (Hi no Tori), and the all-conquering, sci-fi inflected Pinocchio retelling of Astro Boy (Mighty Atom) – are adventurous, topical, riotously funny and fundamentally human.
Part biography, part showcase of a lifetime spent in creative abandon, author Helen McCarthy traces his early inspiration drawn from Disney's wide-eyed characters – a look that would define manga's similarly neotenous bent – to a public, if officially unacknowledged repayment in the form of Kimba The White Lion re-imagining The Lion King. Packaged with a DVD of Tezuka at work, and a relief cover of the aforementioned Mighty Atom, Osamu Tezuka: The God Of Manga is a compelling and comprehensive work.
– Nick Parton
The Art of Osamu Tezuka: God of Manga
by Helen McCarthy (author) and Osamu Tezuka (illustrator)
Harry N. Abrams
2009, 272 pages, 9 x 12.2 x 1 inches
$25 Buy a copy on Amazon