Trina Merry (previously) has created "Lost in Wonder," a series of trompe l'oeil photos in which painted models are posed against many of the world's great wonders, vanishing into the background.
Merry says her work is a commentary on the "culture of the selfie" and "our methods of memory-making."
Many photographers say they 'take' a picture. At major tourist sites like these, there are masses of visual consumers 'taking' from this environment without really appreciating the space or the history and culture of the people who made these structures. Artists are culture makers so I couldn't approach this trip the same way- we 'made' a picture and gave energy back to these places.
I really wanted to understand what makes a place 'great'. Why do these physical structures go down in history? I was amazed that, due to the nature of contemporary tourism, so many people idealize these places but they leave with some selfies, a branded trinket and a bit of disappointment. They looked... lost.
Lost in Wonder [Trina Merry]
Machinist/sculptor Chris Bathgate (previously) is taking a break from small fidget toys and has returned to large format work with the BU 622411311751, which has a distinctly cthuloid/tentacly aspect.
Slovenian designer and web developer Sašo Krajnc, aka Cvern, says he has always been amazed by string art. He creates large pieces in round frames that depict eyes, faces, animals, and patterns.
Artist Kathleen Darby takes viewers through her step-by-step process of drawing a colorful bird on black paper. Start at the beginning for more details. It’s interesting as well as relaxing, as there are some important differences when starting from negative space.
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