I was excited to read this article about Jacob Collins, an artist working in the style of the old masters--so many oil glazes!--as it's the effect I often aim for (albeit with ersatz digital shenanigans, though I did receive formal training back in the day). But, at least in James Panero's telling, he seems really humorless and severe about the whole thing.
Collins explains: “My general feeling in terms of art making is the train got off the rails in the 1860s and 1870s, and my practical instinct is to go back to where it was, try to put it back, fix it up, and start going again.”
“Our culture,” he continued, “has inherited the idea that if artists are not avant-garde they cannot have a significant role. That’s a fallacy we’ve inherited from some Parisian nut-job radicals. The rejection of beauty is so accepted. It’s high time that we as a culture attend to our beau
No fun at all. Sad!
At top is Collins' Susan’s Back, 2006. Immediately above is Fire Island Sunset.
I suspect using such techniques to make haunted postmodern inferences and irony and stuff would appall him. I feel judged! But I do love his art.
In 2009, Japanese artist Yoshitomo Nara was hanging out with his business manager Tim Blum in the Manhattan bar Niagrara. Nara pulled out a marker and drew some of his fantastic figures on the walls. (Later that night, he did the same thing at a subway station and was promptly arrested.) Last week, one of […]
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Remember when the default state of your online presence was anonymity? That’s not so clear-cut anymore, and the worst part is you may not even know who is using your data or what they’re using it for. Small wonder that so many people are choosing to surf through virtual private networks. VPNs filter web access […]
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