The British Film Institute discovered bits of very rare Technicolor film fragments from 1920s Hollywood. The fragments, attached to the beginning and end of other film reels, include Louise Brooks doing what may be a costume test for her first credited movie, The American Venus (1926), thought to lost. From Film News:
As Bryony Dixon, BFI’s Curator of Silent Film explains, “Everybody loves Technicolor but so much film from glamorous 1920s Hollywood is lost; when it turns up, however fragmentary it’s exciting. What to do with tiny clips that are only a few seconds long? Imagine an Egyptian vase shattered into pieces and the shards scattered across museums all over the world. You can imagine that one day you might be able to see it whole again. It’s like that with films; only an international effort by film archives like the BFI can bring the pieces of the jigsaw together. For now we have the shards but we can dream of seeing Louise Brooks’s first film or a lost Hedda Hopper in colour”.
James Layton, MOMA’s Film Department Preservation Manager adds, “Only a few Technicolor musicals from the dawn of sound survive complete and entirely in colour, whilst some only exist in poor quality black and white copies. It is always a cause for celebration whenever previously lost colour footage turns up. These excerpts provide fascinating glimpses at these films’ pioneering use of colour, which we could only guess at before.”
"BFI uncovers rare Technicolor footage of Louise Brooks in living colour" (Thanks, Bob Pescovitz!)
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Royalty Now paints over classical portraits and statues to depict famous leaders as they might appear in the modernized flesh. Above, Julius Caesar. Below, Caligula.
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