Mallwave is a microgenre of bedroom electronic music and smooth jazz meant to evoke nostalgia for the vibrant mall scenes of the 1980s and 1990s that many of the music's composers are too young to have experienced or at least remember.
Think of Mallwave as a hauntological soundtrack for an Orange Julius-fueled consumer culture where Suncoast, Merry-Go-Round, and Spencer Gifts anchored suburban reality. (Or, in the case of some of the moodier tracks, the kind of muzak that might play in your mind as you wander an abandoned mall in a Ballardian trance.)
From Hussein Kesvanio's feature in MEL:
“The nostalgia is so real you can cry and wish you went back in time,” reads one comment underneath the video “Neon Wave Mall (Vapor Mix).” “I feel a certain sense of… familiarity watching this footage. Almost like I myself have set foot in these places,” adds a viewer of “Corp Palm Mall.” Under the same video, another person opines: “Why wasn’t I born in this time? This video makes me realize how much things were not as advanced as we have now but it was better. I could be wrong, but sometimes I feel like living around the ‘90s sounds fun. Lifestyle is different, mindset is different and not as much laziness.”
According to writer Joe Koenig, this kind of feeling — a “nostalgia for a past you’ve never known” — is called anemoia. In his ongoing project, The Dictionary of Obscure Sorrows, Koenig describes it as “the desire to wade into the blurred-edge sepia haze that hangs in the air between people who leer stoically into this dusty and dangerous future.”
The legendary Mavis Staples.
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