Apparently a 13-year-old Julia Stiles appeared in an episode of PBS' Ghostwriter series, playing the hacktivist editor-in-chief of the Hurston High School newspaper in "Who is Max Mouse?" Do let us revel in the memories of a simpler time, full of long-forgotten promises of a better world brought on by Gibsonian buzzwords and the promise of equality and opportunity through a technological utopia.
How naive we once were.
In case you aren't familiar with Ghostwriter, it was a PBS show about a group of kids who solved mysteries with the help of an invisible ghost who could manipulate letters and words to create sentences and clue the kids in to whatever information that they needed at the time. No one ever knew who this Ghostwriter was, or how it came into its knowledge or abilities, but a 2010 interview with producer and writer Kermit Frazier revealed the surprisingly dark that really puts a fascinating twist on my childhood: “Ghostwriter was a runaway slave during the Civil War. He was killed by slave catchers and their dogs as he was teaching other runaway slaves how to read in the woods. His soul was kept in the book and released once Jamal discovered the book.”
That's a lot darker, and more powerful, than this old kids' show ever let me know.
Image by SlimVirgin - Own work, CC BY-SA 3.0, Link
Matt Ruff is one of science fiction and fantasy's most consistently brilliant and innovative authors, whose recent work includes The Mirage (an incredible alternate history in which the Global War on Terror is kicked off when Christian crusaders from the blighted, tribal USA fly a plane into the United States of Arabia's Twin Towers in Dubai, giving the hawkish CIA chief Osama bin Laden the chance to launch the all-out war he's been champing for), and Lovecraft Country (an anti-racist reimagining of Cthulhu set in Jim Crow America where the real horror is white supremacy -- now being adapted for TV by Jordan Peele). In his new novel, 88 Names, Ruff adds to the canon of MMORPG heist novels (Charlie Stross's Rule 34, Neal Stephenson's Reamde, and my For the Win, to name three) with a unique take that he dubbed "Snow Crash meets The King and I."
This morning, I launched a new series of posts that I’m going to be writing on Adafruit on the history of cyberpunk science fiction and how it has evolved, how it has influenced culture and technology, what it got right (and wrong) about the near future in its fictional speculations.
My latest LA Times review is for William Gibson's new novel Agency, sequel to his outstanding 2014 novel "The Peripheral," which marked his return to explicitly futuristic science fiction after his amazing and audacious "Pattern Recognition" novels, which treated the recent past as though it was a speculative future setting.
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Python is everywhere. Just look under the hood of virtually every major tech player of the 21st century and you’re likely to find a whole lot of Python-based coding language staring back at you. Case in point: Netflix. You may not know it, but from its security protocols to its much-hyped recommendations, it turns out […]