Ken Shirriff reminds us of Marilou Schultz' textile "Replica of a Chip," woven with traditional techniques and materials in 1994. Comparisons between native art and silicon dies go way back.
I talked with Marilou Schultz, a Navajo/Diné weaver and math teacher, to learn more about the artwork. Schultz learned weaving as a child—part of four generations of weavers—carding the wool, spinning it into yarn, and then weaving it. For the Intel project, she worked from a photograph of the die, marking it into 64 sections along each side so the die pattern could be accurately transferred to the weaving. Schultz used the "raised outline" technique, which gives a three-dimensional effect along borders. One of the interesting characteristics of the Pentium from the weaving perspective is its lack of symmetry, unlike traditional rugs. The Pentium weaving was colored with traditional plant dyes; the cream regions are the natural color of the wool from the long-horned Navajo-Churro sheep.2 The yarn in the weaving is a bit finer than the yarn typically used for knitting. Weaving was a slow process, with a day's work extending the rug by 1" to 1.5".
The Pentium had three million transistors. An M2 Ultra has 134 billion, if anyone fancies the challenge.
