The 2019 Hugo Award nominees have been announced; the Hugos will be presented this summer at the 2019 World Science Fiction Convention in Dublin, Ireland.
For two years now, Brian K Vaughan and Cliff Chiang have been knocking my socks off with their Paper Girls graphic novel, a mysterious, all-girl, Stranger-Things-esque romp through 1980s pop culture, time travel, conspiracies, clones, paradoxes, and you know, all that amazing coming-of-age/friendship-is-magic jazz. — Read the rest
The 2017 Hugo nominees were announced yesterday; attendees at this year's World Science Fiction Convention in San Jose, California will choose from among them to pick this year's Hugo Award winners.
Saga is the best space opera in comics, a masterpiece of serial storytelling from Fiona Staples and Brian K Vaughan, whose character designs -- a cross between Vaughn Bode and the Mos Eisley Cantina -- and fearless war-scenes combine with masterful cliff-hanger storytelling to weave a tale that hurts even as it makes you bellow with laughter. The eighth collection in the series ships today and the story shows no sign of slowing down.
The FCC is only allowed to change existing policies if they can show evidence of some change in facts, so at yesterday's bomb-threat haunted hearing to destroy Net Neutrality, Trump FCC Chairman Ajit Pai and his Republican colleagues made a pro-forma recitation of the reasons justifying his extreme actions.
Brian K Vaughan and artists Marcos Martin and Muntsa Vicente started syndicating The Private Eye just before the first Snowden revelations hit, which was a fortuitous bit of timing for them, since their surreal science fictional tale was set in a future where the rupture of all internet security had provoked humanity into banning the internet altogether, replacing it with a world where cable news was so dominant that the police had been replaced by reporters.
Saga is Brian K Vaughan and Fiona Staples' magnificent, visually stunning, adventurous, funny, raunchy, complex and provocative graphic novel; the first six volumes of collected comics moved from strength to strength, fleshing out a universe that was simultaneously surreal and deadly serious, where cute characters could have deadly-serious lives: now, with volume 7, Staples and Vaughan continue their unbroken streak of brilliance.
Brian K Vaughan is one of my very favorite comics creators, though the erratic schedule of Saga, the psychedelic, sexy space opera he and Fiona Staples created has frustrated me at times -- and then I remember that Vaughan is so erratic because he's so busy, creating new titles like 2015's Paper Girls, which Image Comics began to collect in two volumes this year: Book 1 last April, and Book 2 on December 6.
Brian K Vaughan and Fiona Staples' comic Saga blew the lid off comics when they started publishing it with the creator-friendly folks at Image, producing two graphic novels' worth of material in as many years; but then there was the long drought while we waited for book three (spoiler: worth the wait), and since then, they've hit a driving, relentless annual schedule, culminating in the publication, last week, of Volume 6, which is all that we've come to love from the series and then some.
The launch of Starve, the new comic from Brian Wood, creator of the landmark DMZ and artists Danijel Žeželj and Dave Stewart, was widely celebrated as a major new comic that started as strong as Warren Ellis's Transmetropolitan.
Fiona Staples and Brian K Vaughan have been blowing the lid off of comics for nearly five years now with their Image title Saga, a comic about intergalactic war, politics, sex, death, betrayal, true love, parenting, reality TV and alcoholic hack writers.
Archie comics, that bastion of thick, small newsprint books at supermarket checkout, is getting yet another vaguely ironic makeover! The ginger ninja of our hearts is, to quote Bloomberg, "getting a new hipster look."
The ALA's new State of America's Libraries Report [PDF] shows American public and school libraries are being challenged most often over graphic novels like Saga and YA novels and books by people of color like The Absolutely True Diary of a Part-Time Indian.
Brian K Vaughan and Fiona Staples's high weird, perved-out, freaked out space opera comic Saga is the best visual sf since Transmetropolitan, and the long-awaited volume 4 is a feast of politics, betrayal, gore, revolution, decadence, and Huxleyesque social control through amusement technology. Cory Doctorow blew his mind with it, and is back to tell the tale.
Saga, the creator-owned gonzo science fiction comic from Brian K Vaughan and Fiona Staples may be the best sf comic since Warren Ellis's Transmetropolitan, and the three collections published to date are already canon, with the long-awaited number four around the corner. To get all your friends ready for it, there's a new gorgeous, massive hardcover volume collecting the first three installments.
Hey, Brian K. Vaughan here with an exclusive excerpt for my friends at Boing Boing of the creator roundtable between artist Fiona Staples, letterer Fonografiks, and Image Comics publisher Eric Stephenson featured in the back of SAGA: BOOK ONE, a new hardcover collection of our first eighteen issues. As the writer, I have arguably the easiest job of any of my collaborators, but check out how much I whine and complain at the scripting stage of our twelve-step process...
Today at New York Comic-Con I ran into David Atkinson, aka our favorite cosplayer from Brian K Vaughan and Fiona Staples's Saga: Atkinson was out promoting Gathering the Debris, a site of entertainment news and reviews.
Being a compendium of some of my most popular graphic novel reviews from the past year, from The Encyclopedia of Early Earth to RASL
It's been nearly a year since the publication of volume two of Brian K Vaughan and Fiona Staples' spectacular Saga comic; but at last, volume three is at hand. As Cory Doctorow discovered, it was well worth the wait.