Elia Saikaly decided to film Mount Everest at night: "While most climbers slept, I attempted to capture some of the magic that the Himalayan skies have to offer while climbing to the top of the world." Read the rest
Back in May, we linked you to the reporting of Outside's Grayson Schaffer, who was stationed in the base camps of Mount Everest, watching as the mountain's third deadliest spring in recorded history unfolded. Ten climbers died during April and May. But the question is, why?
From a technological standpoint, as Schaffer points out in a follow up piece, Everest ought to be safer these days. Since 1996 — the mountain's deadliest year, documented in John Krakauer's Into Thin Air — weather forecasts have improved (allowing climbers to avoid storms like the one responsible for many of the 1996 deaths), and new helicopters can reach stranded climbers at higher altitudes. But those things, Schaffer argues, are about reducing deaths related to disasters. This year, he writes, the deaths that happened on Everest weren't about freak occurrences of bad luck. It wasn't storms or avalanches that took those people down. It wasn't, in other words, about the random risks of nature.
Read the rest
This matters because it points to a new status quo on Everest: the routinization of high-altitude death. By and large, the people running the show these days on the south side of Everest—the professional guides, climbing Sherpas, and Nepali officials who control permits—do an excellent job of getting climbers to the top and down again. Indeed, a week after this year’s blowup, another hundred people summited on a single bluebird day, without a single death or serious injury.
But that doesn’t mean Everest is being run rationally. There are no prerequisites for how much experience would-be climbers must have and no rules to say who can be an outfitter.
Image: Chhiring Sherpa provides the lighting for a photograph of Swiss mountaineer Ueli Steck. Photo by Grayson Schaffer, used with permission of Outside.
Hint: It involves a lot of sherpas.
Grayson Schaffer, an editor for Outside magazine, is currently embedded at Base Camp on Mt. Everest, covering several teams attempting to climb the mountain's West Ridge—which Outside describes as "a route nearly as many climbers have died on as have summitted." He's sending back stories and photos from the tallest mountain in the world. But that presents a problem. The kind of photography that's used in a glossy magazine is not the kind of photography that is easy to produce with a team of one in a bare-bones climbing camp.
In a recent post, Schaffer explains the tools he's using to get his shots and shows us how he's wrangled random sherpas, climbers, and camp staff into assisting him. It's a neat bit of media behind-the-scenes.
The key piece of gear that makes it all possible is the new Pro-B3 1200w/s AirS battery pack. It's the lithium-powered update to the older 7B power pack, and it delivers consistent flashes even in subzero temperatures at 17,500 feet. We've got two of these with a set of spare battery inserts but have yet to run down in a day's shooting. To charge these beasts, we've been using a basic GoalZero solar setup, which, thanks to the Pro-B3's built-in trickle-charging capability, can top off a charge in a sunny afternoon.