A clip from director Hugues Nancy's "Paris 1900, the City of Lights," featuring restored and colorized film footage from the fin de siècle. From C21Media:

Thanks to incredible archives restored and fully colorized, this film presents a previously unseen journey through time and space. Discover, Paris in 1900 at the time of the Exposition Universelle and the very beginning of modern art and cinema. The City of Lights became a showcase city, displaying the latest technical and scientific inventions, and also boasting avant-garde art galleries, lively cabarets, the ultimate in high fashion, and… the Parisiennes. The myth of “La Belle Epoque” reigned supreme.

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Your old film photos need an upgrade. Enjoy Dean Putney's guide on how to get the best quality from your boxes of negatives as painlessly as possible.

Photo: ICE HSI. Click to enlarge.

In Washington today, US officials and U.S. Holocaust Memorial Museum representatives announced the seizure of a long-lost diary maintained by a close confidant of Adolf Hitler.

The recovery of this historical document was the result of an extensive investigation conducted by U.S. Immigration and Customs Enforcement’s (ICE) Homeland Security Investigations (HSI). The author of the so-called "Rosenberg Diary" was Alfred Rosenberg, a leading member of the Third Reich and of the Nazi Party during World War II.

Rosenberg was one of the intellectual authors behind key Nazi beliefs, including persecution of Jewish people, expansionist “lebensraum” (living space) ideology, the "master race" theory, and the rejection of modern art as "degenerate." He was tried at Nuremberg, sentenced to death, and hanged on October 16, 1946, after having been convicted for war crimes and crimes against humanity.

The diary will eventually be displayed in the Holocaust Museum. More photos, video from the press conference where the seizure was announced, video of Rosenberg speaking, and more of the story behind this important historic artifact are below. Read the rest

Digitally archiving half million cards, letters, and drawings sent to the town of Newtown, CT after the Sandy Hook school shooting.

From the Smithsonian's snapshot series, a special image for Valentine's Day:

Caged crinoline, also known as a hoop skirt, was the most distinctive silhouette of the late 19th century. This photo shows a hoop skirt, named because of its series of concentric hoops of whalebone or cane. It replaced the popular petticoat of the late 1500s to mid 1800s. Multiple petticoats were sometimes worn to create the full, dome-shape, small-waist silhouette popular in women’s fashion through the mid 1800s. During the late 1800s, hoop skirts like this one lightened the weight of multiple petticoats by creating the same fashionable silhouette but with fewer layers. It only required one or two petticoats worn over the hoop skirt. Unlike shaping undergarments before the 19th century, hoop skirts were worn by women of every social class. In 1846, David Hough Jr. introduced the first hoop skirt in the U.S. The hoop-skirt form, like the bustle and corset, gives insight into the complexities of dress in the 19th century. This item is one of 137 million artifacts, works of art and specimens in the Smithsonian’s collection. It is not on display.

Looks so comfy!

(thanks, Jessica Porter Sadeq) Read the rest