The case for breaking up Disney

Disney has always been a problematic company, from its crypto-minstrelsy (and not-so-crypto-minstrelsy) to its perpetual copyright extensions to its censorship activities to its gender stereotyping to its anti-union work and so on, but, as anti-monopoly activist Matt Stoller (previously) writes, under CEO Bob Iger the company has changed into an entirely different kind of corporate menace: a monopolist committed to crushing competition, rather than an entertainment company that -- whatever its other sins -- was ferociously committed to making movies, TV shows, theme parks, art and toys. Read the rest

Thanks to streaming, recording industry revenues are back up to pre-internet levels, but musicians are poorer than ever

Since the days of Napster, record labels have recruited recording artists as allies in their fight against unauthorized music services, arguing that what was good for capital was also good for labor. Read the rest

The first-ever rigorous quantitative study of US artistic revenue from internet indies: 14.8M Americans earned $5.9B in 2016

The Re:Create coalition has just published Unlocking the Gates: America's New Creative Economy, a quantitative report that uses rigorous statistical methods to derive the total income, by state, earned by creators who use the internet to reach their audiences. Read the rest

The old Register of Copyrights snuck a $25M fake line-item into the budget

When the old Register of Copyrights Maria Pallante stepped down from the Library of Congress, it was an open secret that she'd been forced out and there was a lot of Big Content conspiracy theories that Google had gotten her canned because she was too friendly to the movie studios and record labels. Read the rest