Read the rest
“Stay away from gooey, wet sounds, because it usually doesn’t contribute to the scene and make it romantic,” cautions Goro Koyama, whose Foley credits include Blade Runner 2049 and The 40-Year-Old Virgin. “Unless they’re trying to make it sound gross” — in which case a wetter, more gooey sound, like the Foley artist manipulating half a grapefruit with their hands, may be called for.
That's right, wizard, detective, and occasional actor Benedict Cumberbatch isn't cool with bullshit pay gaps that Hollywood production companies have been laying on his female colleagues since pretty much forever.
During an interview with the Radio Times, the actor, best known for his come-hither and do-my-bidding eyes, proclaimed that he refuses to have anything to do with a project where his female co-star isn't being paid the same amount of cash as he is. In an interview with Radio Times Magazine, Cumberbatch espouses the fact that “Equal pay and a place at the table are the central tenets of feminism." He goes on, compelling other men to look at what they're paid and, if they see that a women they work with is being paid less, refuse to do it until amends are made.
More than this, with his production, SunnyMarch, Cumberbatch is putting his personal fortunes where is mouth is.
From Radio Times Magazine
“I’m proud that [partner] Adam [Ackland] and I are the only men in our production company; our next project is a female story with a female lens about motherhood, in a time of environmental disaster. If it’s centered around my name, to get investors, then we can use that attention for a raft of female projects. Half the audience is female!”
Granted, it's far easier for a fella that's already made his millions to suggest that others refuse the ability to pay their bills in the name of equality. But if enough people were to do it, often enough, it wouldn't be long until shoring up a pay gap would prove less costly to companies than the lost hours their protesting employees are costing them. Read the rest
The British Film Institute discovered bits of very rare Technicolor film fragments from 1920s Hollywood. The fragments, attached to the beginning and end of other film reels, include Louise Brooks doing what may be a costume test for her first credited movie, The American Venus (1926), thought to lost. From Film News:
As Bryony Dixon, BFI’s Curator of Silent Film explains, “Everybody loves Technicolor but so much film from glamorous 1920s Hollywood is lost; when it turns up, however fragmentary it’s exciting. What to do with tiny clips that are only a few seconds long? Imagine an Egyptian vase shattered into pieces and the shards scattered across museums all over the world. You can imagine that one day you might be able to see it whole again. It’s like that with films; only an international effort by film archives like the BFI can bring the pieces of the jigsaw together. For now we have the shards but we can dream of seeing Louise Brooks’s first film or a lost Hedda Hopper in colour”.
James Layton, MOMA’s Film Department Preservation Manager adds, “Only a few Technicolor musicals from the dawn of sound survive complete and entirely in colour, whilst some only exist in poor quality black and white copies. It is always a cause for celebration whenever previously lost colour footage turns up. These excerpts provide fascinating glimpses at these films’ pioneering use of colour, which we could only guess at before.”
In 1980, two young men start the same community college and soon discover, after being mistaken for each other several times on campus, that they are twins. Their story gets crazier when they learn they have another brother, which makes them identical, separated-at-birth triplets. The trio becomes internationally famous. Then, as the documentary's trailer alludes, there is a dramatic twist, one that "unearths an unimaginable secret that has radical repercussions."
Word of warning: This is a strange-but-true story and there are spoilers aplenty out there on the internet. What I'm saying is, if you don't already know the story, don't go researching it now before seeing the film.
Three Identical Strangers premiered at Sundance and has a U.S. theatrical release date of June 29.
In filmmaking, they say you make three films: the film you write, the film you shoot, and the film you screen. YouTuber Script to Screen takes bits of iconic films to show how the as-produced scene differs from the original screenplay. In some cases, actors might ad lib a great line; in others, the scene may use an alt take for time or simplicity. Read the rest
Following a crowdfunded restoration, the film of Hugo Bettauer's eerily prescient novel will tour Europe again as anti-Semitism is on the rise. At the film's release, Bettauer was doxxed by local media and murdered by a young Nazi soon after. Read the rest
In 2015, Patti Smith went on tour with her band to celebrate the 40th anniversary of her debut album, Horses. Now it's been announced that a new documentary titled Horses: Patti Smith and her Band has been made using footage of the tour's final gig at Los Angeles' Wiltern Theater.
In an interview with Rolling Stone in 2014, the then 67-year-old said,
"I think we continue to deliver all of these songs sometimes stronger than when I was young... So I'm going to be happy to celebrate it, to perform the album with happiness, not with any kind of cynicism or a cashing-in thing. It will be a true, proud celebration, so the answer is yes."
I attended one of the three sold-out shows at The Fillmore in San Francisco in early 2015 and can attest that it was a strong performance. The 1975 album was performed in its entirety, in sequence, and Patti rocked the whole show hard.
The new film was directed by Steven Sebring and executive produced by record producer Jimmy Iovine. It premieres April 23 at the Tribeca Film Festival in New York City. After the screening, Smith and her band will perform some songs, including the album's title track.