Colin Trevorrow will no longer be the director of Star Wars: Episode IX. From the Hollywood Reporter:
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"Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process, but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon," read a Lucasfilm statement...
Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process, but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.
Sources tell The Hollywood Reporter that script issues have continued to be a sore spot throughout Episode IX’s development, with Trevorrow having repeated stabs at multiple drafts. In August, Jack Thorne, the British scribe who wrote the upcoming Julia Roberts-Jacob Tremblay movie Wonder, was tapped to work on the script.
Sources say that the working relationship between Trevorrow and Lucasfilm head Kathleen Kennedy became unmanageable. Kennedy, who had already been through one director firing/replacement on the Han Solo spinoff movie, was not eager for a sequel and tried to avoid this decision.
David Lynch, Chuck Close, Susan Orlean, and a sampling of others describe the mysteries of inspiration that generate their ideas in this short but sweet film by Andrew Norton. Read the rest
Given that film criticism is overwhelmingly white and male, film critic (and great Twitter follow) Valerie Complex decided to put together a list of women of color currently working in the field. She points out that while they may be underrepresented at larger mainstream publications, there are still many talented women of color working at smaller sites, self-publishing, or freelancing. And as she notes:
The perspectives of women of color are needed now more than ever. Especially, with the overwhelming amount of tone deaf articles produced in the media as of late (mainly by white men and women). In the Google age, why people are still oblivious to women of color who write and review film and entertainment is beyond me. But alas, here I am, writing this to inform the masses that in fact, women of color love film, love entertainment, like to write about it, and write about it very well.
Complex’s ever-growing list includes information on which sites these women write for as well as links to their personal Twitter handles. So if you’re a person who enjoys following film critics on Twitter, consider adding some (or all!) of these ladies to your feed. You can see the full list over on Black Girl Nerds. Read the rest
Though it might not be the most obvious film trope, this new Fandor video points out that movies in the ’80s and ’90s were filled with scenes in which characters went down some kind of slide. Fandor posits that these scenes were designed to mimic the feeling of an amusement park ride or water slide, which were becoming increasingly popular at the time. And they provided a kind of thrilling visual escapism from the turbulent social and political climate of the era. You can watch the full video essay right here:
The fantastic light-up dance floor from Saturday Night Fever (1977) will go up for auction in a couple of weeks. The 24' x 36' floor, outfitted with more than 250 lights, was built and installed at Brooklyn's 2001 Odyssey nightclub specifically for the film. When the place closed in 2005, former employee Vito Bruno bought it. Auction house Profiles in History expects it to fetch $1 to $1.5 million.
Can you dig it? I knew that you could.