Growing Up Bowie: Mark Dery's "All The Young Dudes: Why Glam Rock Matters"

Mark Dery's new ebook, All The Young Dudes: Why Glam Matters (the debut publication from Boing Boing's digital imprint) is a delightfully Derynian cultural excavation of the deeper definition of masculinity in the 20th century and beyond. His extended essay on the post-meterosexual landscape takes as its point of departure the doomed-teen anthem penned by David Bowie and performed by Mott The Hoople:

And what, exactly, was a young dude? In the ’70s Southern California of my adolescence, “dude” was the universal form of address among teenaged males. A verbal virus spread by the surfer scene, “dude” was a jocular hi-sign, the verbal fist bump of male bonding. Variously inflected, it could also be a remonstration (dude!), a quizzical exclamation (dude?!), or a backslap of bong-loaded bonhomie (duuuuude, underscored with a Cheshire-cat grin). With the right verbal spin, the term could even signify Jeff Spicoli’s idea of satori, a kind of Tao of Whoahhh—the existential weightlessness common to surfers, stoners, and slackers, a state of mind incarnated by Jeff Bridges as The Dude in The Big Lebowski. But whatever else it was, “dude” was an expression of Dude-ism—straight guy-ness, distilled down to its bro-mantic, brewski-chugging, perpetually adolescent essence.

It’s doubtful Bowie spoke fluent Dude, in 1972. More likely, he reached for the word because of its historical associations with dandies and other Dedicated Followers of Fashion—the sort of “handsome young man, curled, well-dressed, pomaded, painted and powdered” (Edmond de Goncourt, on one of Proust’s friends) whose flamboyance or excessive fastidiousness in dress struck a note of unmanly vanity, even effeminacy.

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Mind Blowing Movies: What's New Pussycat?, by Richard Metzger

Recently, Boing Boing presented a series of essays about movies that have had a profound effect on our invited essayists. We are extending the series. See all the essays in the Mind Blowing Movies series. -- Mark

Mind Blowing Movies: What's New Pussycat?, by Richard Metzger

[Video Link] After reading over the other entries in Boing Boing's Mind Blowing Movies series, I couldn't help feeling a little embarrassed that I was unable to think of even a single film that I felt had truly blown my mind. Works of art, music, weird science, books of philosophy, sure, ideas have blown my mind, but when I try to mentally flip though the catalog of my favorite films, or ones that I quote from the most often, or what have you (Female Trouble, Valley of the Dolls, Putney Swope, Ken Russell's Isadora Duncan: Biggest Dancer in the World, Head, Richard Lester's criminally underrated Petulia) I still wouldn't file any of them as particularly "mind blowing," just as movies that I happen to really, really like.

When Mark sent out the invite to contribute, I confess that I immediately drew a cinematic blank, but there was one film that that didn't necessarily "blow my mind," per se, in the same way that the other participants here have expressed it in their posts, but it did fundamentally alter my mind, or at least it did something to immediately change my perception of the world around me, in the sense that there was a before & after aspect when I watched it. Read the rest

RAW Week: Wilson and I, by Richard Metzger

As "outsider" teenage readers of Robert Anton Wilson and Robert Shea's classic Illuminatus! Trilogy in the early 1980s, it seemed to some of my friends at the time (all big Kurt Vonnegut, Richard Brautigan and Philip K Dick fans, too) that the novel's authors were trying to communicate something "in code" to their readers, like it was a message about "the conspiracy" that was coming from an underground resistance group. I thought that was bunk and fanciful nonsense, but it goes to show how strong of an effect that book had on kids' imaginations back then.

Illuminatus! was a touchstone for freethinking weirdos of that era, one of the rare books that even attempted to make sense of being born into an ever increasingly surreal world still reeling from things like the JFK/MLK/RFK assassinations, Watergate and the Vietnam war and where Ronald Reagan, a bad actor who once worked with a chimpanzee, had just become President.

It was also an interesting experiment in mass occult initiation -- sold at shopping malls across America -- that satirically tore away the veils of the modern world and (actively, not passively) imprinted a skeptical worldview on the reader. Read those books from cover to cover and there was virtually not a chance in hell that you'd be a normal person ever again. The Illuminatus! trilogy really made quite an impression, let's just say.

Wilson's non-fiction work, Cosmic Trigger, was of even greater interest to me with its cheerful speculations on Timothy Leary's channeled communications from "holy guardian angels," psychedelic drugs and Aleister Crowley. Read the rest

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The Speaking Piano From Hell Link Read the rest

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He’s Still the Great Gore Vidal, But Boy Is He Cranky Link Read the rest

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Kembra Pfahler's Gossip Girl Micro-Cameo Link Read the rest

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Blue Jeans: The Movie Link Read the rest

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Radley Metzger’s Erotic Masterpiece: The Lickerish Quartet Link Read the rest

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Dolphin Present During Human Birth Link Read the rest

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Julian Barratt (Mighty Boosh) drinks dog milk in Bunny and The Bull clip Link Read the rest

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Laramie Project adds Unrepentant Killer’s Words as Epilogue Link Read the rest

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Roman Polanski: No Matter How You Slice It, He Raped a Child Link Read the rest

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Hitler Learns About Sarah Palin’s Going Rogue Link Read the rest

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GOP Healthcare Plan: Don’t Get Sick… And If You Do Get Sick, Die Quickly Link Read the rest

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The Skoal Rebel returns (and tells all you motherfuckers you don't know shit) Link Read the rest

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Vampire Lesbians of Hammer Link Read the rest

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Peter Cook, Dudley Moore and John Lennon! The LS Bumble Bee video Link Read the rest

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