Growing Up Bowie: Mark Dery's "All The Young Dudes: Why Glam Rock Matters"

Mark Dery's new ebook, All The Young Dudes: Why Glam Matters (the debut publication from Boing Boing's digital imprint) is a delightfully Derynian cultural excavation of the deeper definition of masculinity in the 20th century and beyond. His extended essay on the post-meterosexual landscape takes as its point of departure the doomed-teen anthem penned by David Bowie and performed by Mott The Hoople:

And what, exactly, was a young dude? In the ’70s Southern California of my adolescence, “dude” was the universal form of address among teenaged males. A verbal virus spread by the surfer scene, “dude” was a jocular hi-sign, the verbal fist bump of male bonding. Variously inflected, it could also be a remonstration (dude!), a quizzical exclamation (dude?!), or a backslap of bong-loaded bonhomie (duuuuude, underscored with a Cheshire-cat grin). With the right verbal spin, the term could even signify Jeff Spicoli’s idea of satori, a kind of Tao of Whoahhh—the existential weightlessness common to surfers, stoners, and slackers, a state of mind incarnated by Jeff Bridges as The Dude in The Big Lebowski. But whatever else it was, “dude” was an expression of Dude-ism—straight guy-ness, distilled down to its bro-mantic, brewski-chugging, perpetually adolescent essence.

It’s doubtful Bowie spoke fluent Dude, in 1972. More likely, he reached for the word because of its historical associations with dandies and other Dedicated Followers of Fashion—the sort of “handsome young man, curled, well-dressed, pomaded, painted and powdered” (Edmond de Goncourt, on one of Proust’s friends) whose flamboyance or excessive fastidiousness in dress struck a note of unmanly vanity, even effeminacy.

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Mind Blowing Movies: What's New Pussycat?, by Richard Metzger

Recently, Boing Boing presented a series of essays about movies that have had a profound effect on our invited essayists. We are extending the series. See all the essays in the Mind Blowing Movies series. -- Mark

Mind Blowing Movies: What's New Pussycat?, by Richard Metzger

[Video Link] After reading over the other entries in Boing Boing's Mind Blowing Movies series, I couldn't help feeling a little embarrassed that I was unable to think of even a single film that I felt had truly blown my mind. Works of art, music, weird science, books of philosophy, sure, ideas have blown my mind, but when I try to mentally flip though the catalog of my favorite films, or ones that I quote from the most often, or what have you (Female Trouble, Valley of the Dolls, Putney Swope, Ken Russell's Isadora Duncan: Biggest Dancer in the World, Head, Richard Lester's criminally underrated Petulia) I still wouldn't file any of them as particularly "mind blowing," just as movies that I happen to really, really like.

When Mark sent out the invite to contribute, I confess that I immediately drew a cinematic blank, but there was one film that that didn't necessarily "blow my mind," per se, in the same way that the other participants here have expressed it in their posts, but it did fundamentally alter my mind, or at least it did something to immediately change my perception of the world around me, in the sense that there was a before & after aspect when I watched it. Read the rest

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