In Paul Graham's provocative "Post-Medium Publishing," he argues that we've rarely paid for "content," but rather for "form" -- that's why a good hardcover costs the same as a bad one, and both are more expensive than paperbacks. As the newspaper and CD forms lose currency, their publishers argue that what we've been buying all along is the "content" and demand that we "continue" to pay for it online.
What about iTunes? Doesn't that show people will pay for content? Well, not really. iTunes is more of a tollbooth than a store. Apple controls the default path onto the iPod. They offer a convenient list of songs, and whenever you choose one they ding your credit card for a small amount, just below the threshold of attention. Basically, iTunes makes money by taxing people, not selling them stuff. You can only do that if you own the channel, and even then you don't make much from it, because a toll has to be ignorable to work. Once a toll becomes painful, people start to find ways around it, and that's pretty easy with digital content.
I think he goes off the rails in the next graf, where he talks about how writers can self-publish merely by uploading files; this commits the same error that he's upset about: confusing "publishing" and "printing."
I also wonder if St McLuhan might not object here, with something about the form being the content.
The JNU Data Depot is a joint project between rogue archivist Carl Malamud (previously), bioinformatician Andrew Lynn, and a research team from New Delhi's Jawaharlal Nehru University: together, they have assembled 73 million journal articles from 1847 to the present day and put them into an airgapped respository that they're offering to noncommercial third parties […]
Last month, Paul Hansmeier was sentenced to 14 years in prison and ordered to pay $1.5m in restitution for the copyright trolling his firm, Prenda Law, engaged in: the firm used a mix of entrapment, blackmail, identity theft, intimidation and fraud to extort millions from its victims by threatening to drag them into court for […]
In 2016, EFF sued the US Government on behalf of Andrew "bunnie" Huang and Matthew Green, both of whom wanted to engage in normal technological activities (auditing digital security, editing videos, etc) that put at risk from Section 1201 of the Digital Millennium Copyright Act.
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