This is one in a series of essays about enthralling books. I asked my friends and colleagues to recommend a book that took over their life. I told them the book didn't have to be a literary masterpiece. The only thing that mattered was that the book captivated them and carried them into the world within its pages, making them ignore the world around them. I asked: "Did you shirk responsibilities so you could read it? Did you call in sick? Did you read it until dawn? That's the book I want you to tell us about!" See all the essays in the Enthralling Book series here. -- Mark
The Emigrants, by W.G. Sebald
A few days before the news of W.G. Sebald’s sudden death in a car accident in 2000, I had decided I was going to send him a letter. I have written about two letters to authors in my life, and I would do it more often if I thought there was way to go about it that didn’t by design come across as fannish and gushing. But the work of Sebald, particularly his 20th century masterpiece The Emigrants
, had such a profound affect on me, I felt compelled to let him know.
Word of his death was a blow. Sebald was just starting to get the wider recognition he deserved with the publication of Austerlitz, which received the National Book Critics Circle Award. I felt as though something important had been taken from the world, something that was essential to helping us understand what it means to be human beings agents of history, and how history works on us. This is what Sebald’s work is about: None of our lives exist within a vacuum, that we are all part and parcel of historical forces that shape us, batter us about, and in our attempts to fight against them, we often lose.
I had discovered the novel The Emigrants by chance. It was weekday afternoon, browsing the literature section of the bookstore. I often scan by logos on the spines, looking for independent publishers in the hopes of discovering authors or books I have never heard of. I spied the New Directions mark on a book, pulled it from the shelf and read the back. I had never heard of Sebald, but thought it looked interesting enough. I bought it and took it home.
I was not quite prepared for what happened next. Almost like a state of self-hypnosis, I could feel some part of my reader’s consciousness shift. I read books as if I understand books, as if I know about genre and time-periods, know what to expect from science fiction, from crime noir, from Kafka, from Vonnegut, from Roth. Of course I’m surprised at times by language, plot, and a character that comes alive in a way I never thought possible. But I am rarely thrown off course by a book, never have I had to renegotiate the very act of reading. That is, until I read The Emigrants.
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