The New Yorker's Adam Gopnik considers whether the bizarre ending of the Oscars could have been another of many recent (ahem) glitches in the simulation we're living in. From The New Yorker:
This wasn’t just a minor kerfuffle. This was a major malfunction. Trump cannot be President—forgetting all the bounds of ideology, no one vaguely like him has ever existed in the long list of Presidents, good, bad, and indifferent, no one remotely as oafish or as crude or as obviously unfit. People don’t say “Grab ’em by the pussy” and get elected President. Can’t happen. In the same way, while there have been Oscar controversies before—tie votes and rejected trophies—never before has there been an occasion when the entirely wrong movie was given the award, the speeches delivered, and then another movie put in its place. That doesn’t happen. Ever.
And so both of these bizarre events put one in mind of a simple but arresting thesis: that we are living in the Matrix, and something has gone wrong with the controllers. This idea was, I’m told, put forward first and most forcibly by the N.Y.U. philosopher David Chalmers: what is happening lately, he says, is support for the hypothesis that we are living in a computer simulation and that something has recently gone haywire within it. The people or machines or aliens who are supposed to be running our lives are having some kind of breakdown. There’s a glitch, and we are in it.
Once this insight is offered, it must be said, everything else begins to fall in order.
"DID THE OSCARS JUST PROVE THAT WE ARE LIVING IN A COMPUTER SIMULATION?" (The New Yorker)
Glitch is a simple and powerful open-source canvas for experimenting on the web—and after a year of beta testing, it’s ready for artists and coders to get stuck in. If you want to make things online but get put off by complicated frameworks, the headache of server set up, and myriad incompatible platforms your work […]
The track is “Truth,” by Lord Over, and the nightmarish AI video is the work of Artificial Nature. There’s even a technical paper describing the techniques used: USING CONDITIONAL ADVERSARIAL NETWORKS TO CREATE A DIGITAL MASK. The man being cut up by computer is Fred Leuchter, I think, the death-chamber designer and holocaust denier. More:
@thelastdeck is a bot that publishes glitched 1-bit tarot cards. [via JWZ] Introducing @thelastdeck, The Pictoral Bot To The Tarot. Created by @xxvi_xxxviii and @digitalsqand https://t.co/JM5UpxxbOF — [x] (@xxvi_xxxviii) March 6, 2017 Previously: Randomly generated catalogue of creepily nondescript police state technology.
We have a theory about those throw blankets that are barely big enough to cover your legs. The only people who seem to make them or use them are grandmothers, and the blankets are only that small because Nana got bored halfway through the sewing job. Look, we’re sure she means well. But if you […]
Remember when the default state of your online presence was anonymity? That’s not so clear-cut anymore, and the worst part is you may not even know who is using your data or what they’re using it for. Small wonder that so many people are choosing to surf through virtual private networks. VPNs filter web access […]
Get ready for the stream of your dreams, binge-watchers. There’s a contest afoot, and at stake is a lifetime subscription to Netflix. All you have to do is sign up, and you’re entered to win this ultimate Netflix plan. When does it expire? Only when you do. And hey, just in case you need something […]