(Neither Boing Boing nor I have received any compensation for this post: Libro.fm asked me to post this and I did so because I want to see them succeed -Cory)
Libro.fm (previously) is an independent audiobook store that sells all the same audiobooks you can get on other platforms like Audible, Google Play, Apple, Downpour, etc, but unlike the industry leaders at Audible and Apple, they are DRM-free, and unlike all of their competition, they work with independent booksellers.
Writer/journalist Andrew Liptak has spent years covering the nerd culture beat, and in a recent edition of his Transfer Orbit nerd culture newsletter, he uncovers a fascinating if frustrating scam rooted in Amazon's Audible self-publishing platform, ACX. The way it's supposed to work is:
Authors or Audio Rights Holders post up their project and narrators on the platform provide samples for them to review.
— Read the rest
In October 2019, acclaimed sci-fi/fantasy publisher Tor released an audio anthology of 35 short stories to celebrate the launch of its new horror imprint, Nightfire.
And now, they've done again — though unlike last year's anthology, this one is available through more services than just Google Play. — Read the rest
When Margaret Atwood published "The Handmaid's Tale" back in 1985, it was at the dawn of the Reagan era, when the gains made by feminism and other liberation movements trembled before an all-out assault mounted by a bizarre coalition of the super-rich and the (historically apolitical) evangelical movement; 35 years later, even more ground has been lost and in many ways it's hard to imagine a more apt moment for Atwood to have published a sequel: The Testaments.
When I was a kid, my whole circle of D&D-playing, science-fiction reading pals was really into Roger Zelazny's ten-volume Chronicles of Amber, but somehow I never read it; for years, I'd intended to correct this oversight, but I never seemed to find the time — after all, there's more amazing new stuff than I can possibly read, how could I justify looking backwards, especially over the course of ten books?
Reading remains solidly popular in America, with the latest figures from Pew showing that print book readership remains at same levels as they were in 2012: about 74% of Americans have read at least one book in the past year: 67% of readers have read at least one print book. — Read the rest
The Tattered Cover is one of the nation's great independent bookstores, ranking with New York's Strand, Portland's Powell's, and Salt Lake City's Weller Books; now in an open letter, the store has "broken up" with Amazon division Audible, the largest player in the audiobook market, citing the company's mandatory DRM, proprietary formats, algorithmic opacity, and diversion of local book sales into the pockets of distant investors in a massive, uncaring corporation.
A decade ago, when Amazon acquired Audible, the two companies promised that they'd phase out their DRM, which locked listeners into using their proprietary software and devices to enjoy the books they purchased. Audible never made good on that promise, and stonewalled press queries and industry requests about when, exactly, this fairtrade version of their industry-dominating audiobook store would finally emerge.
I had the last official stop of my book tour for my novel Walkaway on Saturday, when I gave a talk and signing at Defcon in Las Vegas. It was the conclusion of four months of near-continuous touring, starting with three weeks of pre-release events; then six weeks of one-city-per-day travel through the US, Canada and the UK, then two months of weekly or twice-weekly events at book fairs, festivals and conferences around the USA.
The nice folks at Libro.fm supply audiobooks online and through a network of the country's best indie bookstores; all their books are DRM-free, and they have a new, snappy way of describing them: Cage-Free Audiobooks.