Back in 2017, the World Wide Web Consortium (W3C) approved the most controversial standard in its long history: Encrypted Media Extensions, or EME, which enabled Netflix and other big media companies to use DRM despite changes to browsers extensions that eliminated the kinds of deep hooks that DRM requires.
EFF's long, hard-fought campaign at the World Wide Web Consortium over its plan to standardize a universal DRM for the web was always a longshot, but we got farther than anyone dared hope before we lost the web to corporate interests and cynical indifference in September.
The International Federation of Library Associations and Institutions is the respected global body representing libraries all over the world; in an open letter to the World Wide Web Consortium, the organization says the recent decision to standardize DRM for the web has undermined the web's openness and the ability of libraries and other public institutions to fulfill their important social role.
[[Update, July 13: After consultation with W3C CEO Jeff Jaffe on timing, we've temporarily withdrawn this appeal, for one week, for purely logistical purposes. I am teaching a workshop all next week at UC San Diego and will re-file the objection at the end of the week, so that I will be able to devote undivided attention to garnering the necessary support from other W3C members.… Read the rest
It's been nearly four months since the W3C held the most controversial vote in its decades-long history of standards-setting: a vote where accessibility groups, security experts, browser startups, public interest groups, human rights groups, archivists, research institutions and other worthies went up against trillions of dollars' worth of corporate muscle: the world's largest electronics, web, and content companies in a battle for the soul of the open web.
The Just Net Coalition — whose membership roll includes leading human rights organisations from across the global south — have written urgently to the World Wide Web Coalition and its founder, Tim Berners-Lee, calling on him to intervene to stop the Consortium from publishing its first-ever DRM standard, a system for restricting video streams called Encrypted Media Extensions.
With two days to go until the close of the World Wide Web Consortium members' poll on finalising DRM and publishing it as an official web standard, the UK Open Rights Group is asking Britons to write to the Consortium and its founder, Tim Berners-Lee, to advocate for a much-needed, modest compromise that would protect the open web from the world's bizarre, awful, overreaching DRM laws.
There's only two weeks left until members of the World Wide Web Consortium vote on whether the web's premier open standards organization will add DRM to the toolkit available to web developers, without effecting any protections for people who discover security vulnerabilities that affect billions of web users, let alone people who adapt web tools for those with disabilities and people who create legitimate, innovative new technologies to improve web video.
The World Wide Web Consortium has announced that its members have until April 19 to weigh in on whether the organization should publish Encrypted Media Extensions, its DRM standard for web video, despite the fact that this would give corporations the new right to sue people who engaged in legal activity, from security researchers who revealed defects in browsers to accessibility workers who adapted video for disabled people to scrappy new companies who come up with legal ways to get more use out of your property.
In the latest episode of Reply All, a fantastic tech podcast, the hosts and producers discuss the situation with DRM, the future of the web, and the W3C — a piece I've been working on them with for a year now.
JM Porup's long, thoughtful article on the W3C's entry into the DRM standardization game gives a sense of the different forces that are pushing one of the open web's staunchest allies into a disastrous compromise: the competition that siloed apps present to open-web browsers, the debts of the W3C, the relentless pressure from the entertainment industry to redesign browsers to do a corporation's bidding, rather than the user's.
The World Wide Web Consortium (W3C) is an amazing, long-running open standards body that has been largely responsible for the web's growth and vibrancy, creating open standards that lets anyone make web technology and become part of the internet ecosystem.
The World Wide Web Consortium has embarked upon an ill-advised project to standardize Digital Rights Management (DRM) for video at the behest of companies like Netflix; in so doing, they are, for the first time, making a standard whose implementations will be covered under anti-circumvention laws like Section 1201 of the DMCA, which makes it a potential felony to reveal defects in products without the manufacturer's permission.
Encrypted Media Extensions (EME), part of a DRM system that's being standardized at the World Wide Web Consortium (W3C), marks the first instance in which a W3C standard will fall under laws like the DMCA, which let companies threaten security researchers with criminal and civil liability just for disclosing the defects in these products.
Since 2013, the World Wide Web Consortium (W3C) has been working with the major browser companies, Netflix, the MPAA, and a few other stakeholders to standardize "Encrypted Media Extensions" (EME), which attempts to control web users' behavior by adding code to browsers that refuses to obey user instructions where they conflict with the instructions sent by video services.
For a year or so, I've been working with the EFF to get the World Wide Web Consortium to take steps to protect security researchers and new market-entrants who run up against the DRM standard they're incorporating into HTML5, the next version of the key web standard.
The World Wide Web Consortium (W3C) has made a sea-change: now, in addition to making open web standards that anyone can implement, they're creating a video DRM standard designed to prevent people from implementing it unless they have permission from the big movie and TV companies, by invoking the notorious Digital Millennium Copyright Act and its international equivalents.