Over the past decade or so, Lauren McLaughin (previously) has written a handful of outstanding YA novels, each dealing with difficult issues of gender, personal autonomy and the casual cruelty of teens, starting with Cycler (and its sequel, Re-Cycler) (a teenaged girl who turned into a boy for four days every month); Scored (a class-conscious surveillance dystopia); The Free (a desperate novel about a teen car-thief in juvie) and now, her best book yet: Send Pics, a gripping thriller about sextortion, high school, revenge and justice.

[I adored Cecil Castellucci and Jim Rugg's YA graphic novels The PLAIN Janes and Janes in Love, which were the defining titles for the late, lamented Minx imprint from DC comics. A decade later, the creators have gotten the rights back and there's a new edition Little, Brown. We're honored to have an exclusive transcript of Cecil and Jim in conversation, discussing the origins of Plain Janes. Make no mistake: this reissue is amazing news, and Plain James is an underappreciated monster of a classic, finally getting another day in the spotlight. If you haven't read it, consider yourself lucky, because you're about to get another chance. -Cory]

Back in 2016, Naomi Kritzer won the Hugo award for her brilliant, endearing story Cat Pictures Please, in which an AI with an insatiable craving for cat pictures explains its view on the world and the way that it makes humans' lives better; now Kritzer has adapted the story into her new novel, the equally brilliant, superbly plotted YA thriller Catfishing on CatNet. Read the rest

As part of the renaissance in interest in the glorious science fiction novels of afrofuturist pioneer Octavia Butler (previously), Seven Stories press has just released a two-volume, slipcased set of Butler's fantastic post-apocalyptic adventure novels The Parable of the Sower (with an introduction by Gloria Steinem) and The Parable of the Talents (with an introduction by Toshi Reagon). Read the rest

Last week, the Escape Pod podcast published part one of a reading of my YA novella "Martian Chronicles," which I wrote for Jonathan Strahan's Life on Mars anthology: it's a story about libertarian spacesteaders who move to Mars to escape "whiners" and other undesirables, only to discover that the colonists that preceded them expect them to clean the toilets when they arrive. Read the rest

Jen Wang (previously) is several kinds of excellent comics person: from her debut graphic novel Koko Be Good (a complex and heartfelt take on "manic pixie dream girls") to her award-winning, bestselling, brilliant genderqueer fairy tale The Prince and the Dressmaker, to In Real Life, the middle-grades comic she adapted from my story Anda's Game to the unmissably fantastic annual comics fair she started in LA, she is versatile, smart, compassionate and immensely talented. Now, in her latest, Stargazing, a semi-autobiographical graphic novel for young readers, she brings the action closer to home than ever, and yields up a tale of friendship, identity, talent and loyalty like no other. Read the rest

Esme Pearl has a shitty life: she's seventeen, has only one real friend in the world, lives in a small Kansas town (and hates it), goes to high school, and is being raised by her traumatized father who can't bring himself to talk about the mental illness that has landed her mother in a locked psych ward since Esme was a little girl. Read the rest

Hank Green and I are doing a double act tonight, July 31, as part of the tour for the paperback of his debut novel, An Absolutely Remarkable Thing. It's a ticketed event (admission includes a copy of Hank's book), and we're presenting at 7PM at Spring Forest Middle School in association with Blue Willow Bookshop. Hope to see you there! Read the rest

I'm coming to Houston on July 31 to appear with Hank Green at an event for the paperback launch of his outstanding debut novel An Absolutely Remarkable Thing: we're on a 7PM at Spring Forest Middle School (14240 Memorial Drive, Houston, TX 77079); it's a ticketed event and the ticket price includes a copy of Hank's book. Hope to see you there! (Images: Vlogbrothers, Jonathan Worth, CC-BY) Read the rest

[Harry Tynan posts on our forums as Moose Malloy. Earlier this week, he messaged me about his fun, self-published kid's book, written as a series of bedtime stories for his kid (a tradition I'm very fond of -- it's the origin story of The Borribles!). The book is so much fun that I invited him to write a short introduction and choose a excerpt for your edification. Hope you enjoy it as much as I did! -Cory]

The great Umberto Eco once wrote, in a marvellous essay about Casablanca, that "Two clichés make us laugh. A hundred clichés move us. For we sense dimly that the clichés are talking among themselves, and celebrating a reunion." Read the rest

You've got one week to vote in the Children's History Book Prize, whose nominees this year include Out of Left Field by Ellen Klages -- the third book in the Gordon Family Saga, which includes 2009's incomparable White Sands, Red Menace, a book that like a genderswapped, woke Have Spacesuit, Will Travel, with extra helpings of Cold War paranoia and terror, all wrapped up in poetic, Bradburian nostalgia. Read the rest

In 2015, Scott Westerfeld, Margo Lanagan and Deborah Biancotti published Zeroes, a wonderful, intricately plotted YA thriller about the discovery by a group of teens (all born in the year 2000) that they have a variety of extremely millennial supernatural powers, which grow in strength in social situations; in the years since, the authors have finished the trilogy with two more excellent volumes: 2016's Swarm, which introduces out-of-town powered teens and raises the stakes to life or death for the Zeroes' whole hometown; and 2018's Nexus, which sends the Zeroes off into conflict with the US government, and a massive army of not-exactly-but-sorta-evil powered teens who have all the crowd magic of Mardi Gras to work with, in a battle over the fate of the human race itself. Read the rest

In Gregory Scott Katsoulis's All Rights Reserved, we had a thrilling YA adventure in a world where ever word is copyrighted and every person over 15 wears an unremovable surveillance cuff to bill them for their speech; in the sequel, Access Restricted, we follow the surviving heroes outside the claustrophobic confines of the Portland dome and into the wider world, to DC, the wastelands beyond, and finally to Tejico, the semi-colonized, semi-independent nation made up of Mexico and Texas, where a way out of this terrible world may be found.

In Gregory Scott Katsoulis's All Rights Reserved, we get all the traditional trappings of a first-rate YA dystopia: grotesque wealth disparity leading to a modern caste system, draconian surveillance to effect social control in an inherently unstable state, ad-driven ubiquitous entertainment as the only distraction from environmental collapse -- but with an important difference.

Hope Larson's All Summer Long is an incredibly charming, subtly complex story about friendship and coming of age, the story of Bina and her lifelong friend Austin, who, as far back as they can remember have spent every summer playing a game where they award themselves "Fun Points" for petting cats, finding change on the sidewalk, going swimming, and otherwise making the most of a long, wonderful summer. Until now.

I love Jen Wang's work: her debut graphic novel Koko Be Good was thought-provoking and challenging and beautiful; "In Real Life," her adaptation of my story Anda's Game took the tale to places that delighted and surprised me -- today, Firstsecond publishes The Prince and the Dressmaker, which I believe will be her breakout graphic novel.

Judy Blume is Amanda Palmer's ballad in honor of the author's 80th birthday, celebrating her decades of service in helping young women to navigate a world that labels them as crazy and vain, the nagging sense that it's "just me": "The experiences of her teenage characters ― Deenie, Davey, Tony, Jill, Margaret ― are so thoroughly enmeshed with my own memories that the line between fact and fiction is deliciously thin. My memories of these characters, though I’d prefer to call them “people” ― of Deenie getting felt up in the dark locker room during the school dance; of Davey listlessly making and stirring a cup of tea that she has no intention of drinking; of Jill watching Linda, the fat girl in her class, being tormented by giggling bullies ― are all as vivid, if not more so, as my own memories of kissing Stephen Lee in our elementary school’s auditorium closet atop a pile of gymnastics mats (fourth grade), of being teased by Mike O’Curtin for being too flat-chested (all of sixth and seventh grades), or of discovering that an empty plastic ice pop sheath makes a pretty good dildo when filled with warm water (summer of eighth grade. And believe me, it was a truly great summer.)" Read the rest