The LA Times's Joseph Menn has a great, well-researched feature article on the history of the copyright for the image of Mickey Mouse as portrayed in the earliest Disney cartoons -- and the theory that Disney made mistakes early on with its copyright registration, placing images of that specific Mickey (not the Mickey we know today) in the public domain. Prominent legal scholars like Peter Jaszi agree, but who will shell out the millions in legal fees to prove it? After all, the company's already threatened legal action against law-students who publish papers investigating the question!
Brown went searching for flawed formalities -- and found one. It was on the title card at the beginning of a "Steamboat Willie" cartoon that had just been rereleased on a 1993 LaserDisc honoring Mickey's 65th birthday. It said in full:
A Mickey Mouse
A Walt Disney Comic
By Ub Iwerks
Recorded by Cinephone Powers System
The authoritative legal treatise "Nimmer on Copyright" says that a copyright is void if multiple names create uncertainty, and courts have agreed. In 1961, a federal judge in Massachusetts cited the "accompanied by" rule in throwing out a copyright claim by newspaper cartoonist Art Moger. Moger's name was included in the title above his panels, but the name of another artist ran inside the boxes.
An official New Zealand government bulletin on yesterday’s conclusion of the still-secret Trans Pacific Partnership Agreement negotiations accidentally confirmed something we all believed was in there all along: an extension of copyright terms to match the USA’s bizarre, evidence-free, century-plus terms.
Tim Harford, the Financial Times’s Undercover Economist, writes about the Happy Birthday to You court case, which finally settled the question of whether the familiar birthday song was still in copyright (it isn’t) and uses that as a springboard to ask the question: how long should copyright last?
For most of a decade, government negotiators from around the Pacific Rim have met in utmost secrecy to negotiate a “trade deal” that was kept secret from legislatures, though executives from the world’s biggest corporations were allowed in the room and even got to draft parts of the treaty.
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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