CreativeAmerica is an astroturf group financed by the MPAA that pretends to represent everyday folks who want to see further-reaching, stricter copyrights, and it just happens to be run by a bunch of ex-MPAA staffers. An anonymous tipster claims that the organization has now resorted to paying people to get signups for its membership rolls:
the organization I am doing work for is Creative America, which is a grassroots organization that is working to stop foreign rogue websites from illegally distributing American content such as books, music, films, etc.... These specific websites costs the U.S. and the 2.2 million middle class industry workers $5.5 billion in wages and hundreds of thousands of jobs. Your job would be just collecting signatures from whoever is interested in signing up for updates. A newsletter may come once a month and anyone can unsubscribe if they don’t want it. We don’t care if they do; all I care about is getting initial signups.
The hours are flexible and we will pay you $1/signature, so if you collect 100 signatures a week, we would pay you $100/week. We will also pay for you to go to local film festivals in the area (SXSW, Austin Film Festival, etc.). We are also taking as many people as possible, so if you have some friends who are interested in doing it we can take them as well. Let me know your thoughts....
CreativeAmerica Literally Resorts To Buying Signatures
This week, the scholarly publishing giant Elsevier filed suit against Sci-Hub and Library Genesis, two sites where academics and researchers practiced civil disobedience by sharing the academic papers that Elsevier claims — despite having acquired the papers for free from researchers, and despite having had them refereed and overseen by editorial boards staffed by more […]
Sarah Jeong had me standing up and cheering with her comparison of kudurrus — the ancient Mesopotamian boundary stones used to mark out territorial land-grants — and the way that laws like the US DMCA protect digital rights management systems.
Mélanie Joly is the newly appointed Canadian Heritage Minister, and she’s been given a briefing book by her ministerial staffers laying out the ministry’s view of what’s going on in the Heritage brief. The book’s copyright section is a disaster.
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