This 1951 photograph of a purported Yeti footprint was auctioned off at Christie's London for £3,500. Eric Earle Shipton took the photograph in the Himalayas. From the lot description:
'In 1951 Sen Tensing, Shipton, and I descended from the Menlung La ... at about 16,000-17,000 feet we came across a whole series of footprints in the snow, on the lower part of the glacier. There seemed to be two groups, one rather indistinct in outline leading on to the surrounding snowfields. The others were much more distinct with, in places, a markedly individual imprint etched in the 2- to 4-inch covering of snow. We had no means of measuring so after examining them Shipton took four photographs: two of the indistinct prints with myself, my footprints, and rucsac beside them for comparison; the other two photographs were of one of the most detailed and distinct group of prints, with my ice axe for scale, and a second one with my booted foot. The footprint was about the same length as my boot, and I take a size 42 continental, or 8½ British, which is about 12 to 13 inches long. The print was nearly twice as broad as my boot (3 to 4 inches) and had clear-cut edges in the crystalline snow on a base of firm snow ice. There was the definite imprint of a big toe that was broader and shorter than the other rather indistinct toes, of which there seemed to be four or five. We followed these tracks for some way down the easy glacier and noticed that whenever a narrow 6-inch-wide crevasse was crossed there seemed to be claw marks in the snow at the end of the toe imprints. ... Two days later we were joined by Murray and Bourdillon, who, after visiting the Nangpa La ... had followed our route into the Menlung Basin. All tracks had been deformed by the sun and wind.' (Michael Ward, 'Everest 1951: the footprints attributed to the Yeti -- myth and reality', Wilderness and Environmental Medicine, 8, 29-32 (1997)).
Link to Christie's lot, Link to Metro article
UPDATE: Over at Cryptomundo, Loren Coleman has more on this story both before and after the auction.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
It’s time for a power upgrade — throw out that tired-out power strip and swap in this family-size USB charger, packed with 6 high-speed ports. With a built-in control chip, Kinkoo optimizes each port to ensure the fastest charging possible for all your devices. The Kinkoo is made from high-grade and durable materials so you […]
Watching Netflix, Hulu or other streaming services can unfortunately be difficult while traveling outside the US. Rather than bypass these restrictions with the help of a complex and slow VPN, choose a faster and simpler solution with Getflix. Instead of rerouting all your Internet traffic through a different server, this handy service only routes the […]
Shake, stir, and muddle your way to delicious homemade cocktails with this must-have bar set. Expect only the finest quality tools from MakersKit — enabling you to unleash your inner mixologist.Top 12 Favorite Things of 2014, Sunset MagazineQuart-size vintage-style Mason jar shakerRetro double jigger for accurate measurementsStrainer & spouts for a mixologist-style smooth pourHardwood muddler […]