Any gallery that bans reproducing Warhol on the grounds that you'll violate his copyright should be forced into an off-site, all-day irony training session.
So what's the message of the show? Is it a celebration of remix culture, revelling in the endless possibilities opened up by appropriating and reusing images without permission?Link
Or is it the epitaph on the tombstone of the sweet days before the UN set up the World Intellectual Property Organization and the ensuing mania for turning everything that can be sensed and recorded into someone's property?
Does this show - paid for with public money, with some works that are themselves owned by public institutions - seek to inspire us to become 21st century pop artists, armed with cameraphones, websites and mixers, or is it supposed to inform us that our chance has passed and we'd best settle for a life as information serfs who can't even make free use of what our eyes see and our ears hear?
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.
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