My latest Guardian column, "Warhol is turning in his grave," describes the photography ban in place at the Pop Art Portraits show at the National Portrait Gallery in London. It's an amazing show, and practically every work hung in it violates someone's copyrights, trademarks, or both (this is pop art, after all). In a stunning display of either Dadaism or irony-impairment, the gallery has hung the show with a "no photography" policy (not a "no flash photography" policy, either), and the even extend the ban to the "no photography" signs themselves, which, they claim, are copyrighted works.
Any gallery that bans reproducing Warhol on the grounds that you'll violate his copyright should be forced into an off-site, all-day irony training session.
So what's the message of the show? Is it a celebration of remix culture, revelling in the endless possibilities opened up by appropriating and reusing images without permission?
Or is it the epitaph on the tombstone of the sweet days before the UN set up the World Intellectual Property Organization and the ensuing mania for turning everything that can be sensed and recorded into someone's property?
Does this show - paid for with public money, with some works that are themselves owned by public institutions - seek to inspire us to become 21st century pop artists, armed with cameraphones, websites and mixers, or is it supposed to inform us that our chance has passed and we'd best settle for a life as information serfs who can't even make free use of what our eyes see and our ears hear?
Bruce Schneier warns us that the Internet of Things security dumpster-fire isn’t just bad laptop security for thermostats: rather, that “software control” (of an ever-widening pool of technologies); interconnections; and autonomy (systems designed to act without human intervention, often responding faster than humans possibly could) creates an urgency over security questions that presents an urgent […]
In the late 1960s and 1970s, the mind-expanding modus operandi of the counterculture spread into the realm of science, and shit got wonderfully weird. Neurophysiologist John Lilly tried to talk with dolphins. Physicist Peter Phillips launched a parapsychology lab at Washington University. Princeton physicist Gerard O’Neill became an evangelist for space colonies. Groovy Science: Knowledge, […]
In a lead editorial in the current Nature, John Wilbanks (formerly head of Science Commons, now “Chief Commons Officer” for Sage Bionetworks) and Eric Topol (professor of genomics at the Scripps Institute) decry the mass privatization of health data by tech startups, who’re using a combination of side-deals with health authorities/insurers and technological lockups to […]
Home audio has taken some big leaps forward in recent years–not just in terms of sound quality, but also in the style department. The FRESHeBAR Leather Soundbar, now 56% off in the Boing Boing Store, is proof.The FRESHeBAR comes packing almost all the options you’d ever need for a home sound system, including Bluetooth streaming capabilities.The unit’s 90 […]
Much of what goes into creating an amazing photo happens in the digital darkroom. Here’s your chance to master all things photo editing: the Ultimate Adobe Photo Editing Bundle, now available in the Boing Boing Store for just $29.99.Across 8 courses and over 41 hours of intensive instruction, you’ll learn the fundamentals of Adobe’s suite of photo […]
3D printers are hot, but they’re also pricey. While the prospect of cranking out everything we can dream up is enticing, cost is often one factor that keeps us from jumping onto the 3D printing train.Now, thanks to M3D, that doesn’t have to be the case. You can now get its flagship 3D printer–plus four reels of filaments–for just […]