Xeni and I were just talking about the wonder of Wilco and their performance at the recent Outside Lands festival
. As many of you know, Wilco's magnificent album Yankee Hotel Foxtrot
was named for (and uses samples from) the Conet Project
, a four CD collection from Irdial-Discs of "numbers stations." For decades, intelligence organizations have reportedly broadcast one-way messages to their agents in the field via shortwave, and the transmissions happen to sound weirder than any Stockhausen score or minimalist electronica you've ever heard -- a child's voice, or the obviously synthesized intonation on what's known as the "Lincolnshire Poacher" station, named for the folk song accompanying the numbers. The Conet Project contains recordings of 150 of these stations. I wrote about the Conet Project in 1999 for a feature article
in Salon. (Cory also blogged about the project on BB after Irdial oddly sued WEA, Wilco's label, for copyright infringement.)
Since then, Irdial has posted the Conet Project audio on Hyperreal. From my Salon article, titled "Counting Spies":
My preferred dose? One CD of Conet before bedtime. Repeat if necessary. Be warned, though: Side effects may include grainy and nihilistic nightmares starring a grayscale spy cabal armed with an arsenal of dead media. Conet as soundtrack to a J.G. Ballard noir documentary. Indeed, Ballard's style of (non) fiction blends seamlessly with the blurb on Conet's stark, minimalist packaging: "The origin of these stations is in dispute. Their purpose is unclear. Some of these organizations should have been closed down after the 'end of the cold war,' yet they continue to transmit like clockwork."
Conet Project (Hyperreal)
And therein lies the mystery that keeps headphones on hundreds of numbers listeners around the world. Most of these people aren't the avant-audio enthusiasts who frequent Aquarius (Records, where I bought my copy). They don't know from musique concrete. These shortwave buffs are knob-twiddlers of a different sort. For them, the process of numbers stations is more interesting than the product. Under the mainstream radar, numbers stations Web sites, online chat rooms and e-mail lists thrive with listeners sharing frequencies, recordings, rumors, stories and speculations about the strangest sounds on the dial.
"If you tune in to the BBC World Service, you know where the studios are, who the intended audience is and where the transmitters are, but with numbers stations you don't know any of that," says Simon Mason, a chemistry lab supervisor in England who in 1991 penned one of the first texts detailing the numbers racket, "Secret Signals: The Euronumbers Mystery." "It's like a mystery novel or television show, but the difference is no one will ever come out with a solution."
, "Counting Spies" (Salon)
, buy Conet Project (Amazon)
Previously on BB:
• Who owns recordings of numbers stations?
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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