Robert Anton Wilson and his crew set up an online academy for him to teach James Joyce and other subjects to those of us who thrived off his learning and insights. Before he died, he began to invite others to teach courses through the Maybe Logic Academy, and the site has lived on.
I was honored to be asked to teach a course based on my new book. It goes for ten weeks, and begins October 11. I'll be donating my proceeds to archive.org. Here's the pitch.
Ten weeks of study and dialogue, ten commands for a digital age. We continue to accept new technologies into our lives with little or no understanding of how these devices work and work on us. We do not know how to program our computers, nor do we care. We spend much more time and energy trying to figure out how to use them to program one another, instead. And this is a potentially grave mistake.
Just as the invention of text utterly transformed human society, disconnecting us from much of what we held sacred, our migration to the digital realm will also require a new template for maintaining our humanity. In this course, Rushkoff shares the biases of digital media, and what that means for how we should use them.
The course will be organized along the ten main biases of digital media - time, distance, scale, choice, complexity, identity, social, fact, sharing, and purpose - exploring how digital media is tilted towards one or the other end of each spectrum. We will then discuss how to maintain agency in the face of each of these biases.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
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