The MPAA has been doing a full-court press in Brazil, a country where copyright infringement, Creative Commons, and poverty are all widespread. In a telling interview, he described the MPAA's differences with the Creative Commons movement:
"They [Creative Commons supporters] don't always agree with what we advocate," Frazier responded. "And you are talking about democratizing culture, this is not in our interests. It really isn't my interest."
Although this answer may not really come as a surprise, combined with his previous answers it shows how subjective the MPAA's view on creativity and culture is. According to the MPAA piracy is ruining culture, but at the same time they are not allowing others to use even tiny snippets of their works.
The MPAA is apparently only interested in creativity and culture when it applies to the works their studios produce. Needless to say, this isn't necessarily what's most beneficial to society. The MPAA is merely protecting their corporate interests.
In 1925, the Supreme Court ruled that corporations of similar size and bargaining power could use arbitration, rather than courts, to settle their differences; today, corporations demand that customers and employees agree to use the arbitration system for redress of any grievances, while reserving the right to use the courts to attack humans who offend […]
The National Telecommunications and Information Administration is trying to work out the rules for facial recognition — whether and when cameras can be put in public places that programatically identify you as you walk past and then save a record of where you’ve been and who you were with.
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