Features Podcasts Family Video Comics Music Tech Science Books Film & TV Games ✚

Jill

The Caretaker: soundtrack from 78 recordings of Franz Schubert music

David Pescovitz at 9:27 am Wed, Feb 8, 2012

— FEATURED —

Book Review

The Man Who Laughs: grotesque Victor Hugo potboiler was the basis for The Joker

Feature

Eurovision 2013: An American in London

Book Review

The Twelve-Fingered Boy - mesmerizing YA horror novel

— FOLLOW US —

Boing Boing is on Twitter and Facebook. Subscribe to our RSS feed or daily email.

 

— POLICIES —

Except where indicated, Boing Boing is licensed under a Creative Commons License permitting non-commercial sharing with attribution

 

— FONTS —

Tweet
Kindle

The Caretaker, who I've posted about before, is the alter-ego of musician James Kirby who composes gorgeous haunted music by cutting up, processing, and looping vintage 78s. His last album as The Caretaker, "An Empty Bliss Beyond This World," themed around memory and amnesia, is one of my favorite albums of last year. The Caretaker has just released a new album, a soundtrack to Grant Gee's just-completed documentary film about the German writer WG Sebald. The Caretaker and Sebald are a natural pairing, as both of their work deals with memory (personal and cultural), lost histories, and decay. The soundtrack, titled "Patience (After Sebald)," was composed from public domain 1927 recordings of Franz Schubert's music, including his most famous song cycle for voice and piano, Winterreise. Once again, The Caretaker has created a gorgeous album that will transport you into a dreamlike state that may remind you of The Shining's haunted ballroom scenes, which was one of Kirby's inspirations. Above is a track from "Patience (After Sebald)." (The video is unrelated, but I think it's a nice fit.) I purchased my LPs by The Caretaker at San Francisco's Aquarius Records. More details on The Caretaker's releases at Kirby's History Always Favours The Winners site.

David Pescovitz is Boing Boing's co-editor/managing partner. He's also a research director at Institute for the Future. On Instagram, he's @pesco.

More at Boing Boing

Eurovision 2013: An American in London

The technology that links taxonomy and Star Trek

  • http://noctilucent-studios.blogspot.com/ Noctilucent Studios

    Damn….that is beautiful. Thanks.

  • http://twitter.com/Cliph Cliff Flood

    Reminds me a little of this beauty; http://youtu.be/dnYA0w4cWiE

    • David Pescovitz

      Wow! Really nice, Cliff. Thanks!

  • Melinda9

    Nice music – wish there was a download for it.

    • http://noctilucent-studios.blogspot.com/ Noctilucent Studios

      http://www.dvdvideosoft.com/products/dvd/Free-YouTube-to-MP3-Converter.htm

  • strangevibe

    This is a bit too static for me but if you like it, the music of Ukrainian composer Valentin Silvestrov after 1985 may be just the thing for you.  His philosophy of ‘musical postludes’ is to not deny the beauty and power of late romantic music, but to refer and meditate on it, deconstruct, slow down time, explore nuances of pedaling and dynamics, take it into places it wouldn’t normally go. 
    Youtube has plenty, symphony #5 is a good starter, but the songs and chamber music are a little closer to what’s here. 
    Nice intro here: 
    http://classicaldrone.blogspot.com/2010/02/ukrainian-piano-miniatures.html

    • David Pescovitz

      Lovely! Thanks for this. 

      • strangevibe

        Glad you and perhaps other readers enjoyed it.    Apparently his big stylistic shift was around 1972-74 with the cycle “Silent Songs”, but the ECM release was 1986.  Prior to that his style is more high modernist Darmstadt and would not have similar charms.   Better known composers like Arvo Pärt, Alfred Schnittke, and Gavin Bryars (composer of  Jesus’ Blood Never Failed Me Yet linked above) have expressed great admiration for him. 

  • Absorbine_Sr

    Thanks for this. I purchased digital copies of Selected Memories from the Haunted Ballroom and An Empty Bliss Beyond This World. Listening to Ballroom now and it is chillingly beautiful.

  • Robert martelli

    Don’t forget William Basinski