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Greenpot Bluepot: "Melting Sword" video premier

David Pescovitz at 9:51 am Fri, Feb 10, 2012

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Natalie LeBrecht carries the torch of New York's downtown avant grade into contemporary popular music. Recording as Greenpot Bluepot, LeBrecht melds outernational influences with vocal melodies reminiscent of Yoko Ono (with less screaming) or, as Devendra Banhart put it, an "intergalactic Nico." That makes sense, given that LeBrecht has worked closely with minimalist pioneers La Monte Young and Marian Zazeela. In the late 1960s, those two set the stage for the New York music scene that linked contemporary classical music with weird performance art and, of course, birthed the Velvet Underground with whom Nico sang. Boing Boing is pleased to premier the latest Greenpot Bluepot video, directed by Brett Milspaw, for the song "Melting Sword" from the new album Ascend At The Dead End. Here's what LeBrecht told us about her musical path:

 Media Ascendatthedeadend Final 20120120 130337 Growing up, my parents listened to pop music so that was what I was raised on. When I went to college, my tastes expanded when I studied avant-garde art theory and gained exposure to avant-garde music. Because I appreciate both traditions, I think it’s natural that I would incorporate a hybrid in my own work.

Assisting LaMonte Young & Marian Zazeela was an inspirational & enriching opportunity for me - just to have exposure to that high caliber of musicianship & artistic purity up close was a blessing. In his late 70’s, LaMonte is still an olympic-champion singer with the voice of a 30 year old. His voice is spiritually charged and powerful - yet wielded with refined subtly, control, grace & beauty. These are qualities I aspire to as a singer.

As an artist, I’ve always needed to challenge myself - even if it means I’ll fail or make something laughably bad - this is what it means to be “experimental”. The flip-side is that there's a potential to create something innovative, so it's worth trying. I created the album “Ascend At The Dead End” outside of my comfort zone, experimenting with some different variations of microtonal tuning for some of it. I also was striving to create complex compositions that seem effortless and easy to listen to.

“Melting Sword” differs from the other songs on the album in that I decided to make the music simple so that I could get in a trance and just let the voice & words flow out & do whatever they wanted with no restriction. I created & recorded it in one afternoon and it was by far the easiest song on the album to make. The vocals & lyrics were improvised in 1 1/4 takes (I re-did the ending).

Greenpot Bluepot

David Pescovitz is Boing Boing's co-editor/managing partner. He's also a research director at Institute for the Future. On Instagram, he's @pesco.

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  • Jonathan Donald

    Her vocal style sounds to me like a blend of Excene Cervenka and Debbie Harry.

  • millie fink

    Holy high school, Bat Man! 

    If only it were more charmingly amateurish. 

    And if there’s a Tragic Halfsie plot in there, “always on the outside looking in, etc.,” that’s not compellingly done either. Why must Asian ethnicity always be figured in terms of food? That’s a capitulation to the way Western hegemony already associates Asian-ness reductively with food (there’s even a term for it in academia–”food pornography”).

  • http://pulse.yahoo.com/_X3I3A73KKDGPDT2DH2RI7KPTRM Anthony

    Reminds me of Dori talking to the whale

  • vonskippy

    Meh – it’s rehashed Siouxsie and the Banshees.

  • Baldhead

    Devandra might be on to something- like Nico, she takes interesting music and makes it boring.

    • ioloi

       Damn it. I wish I’d said that.

  • ioloi

    Why listen to plodding, atonal dirges when there are so many moving, beautiful sounds to be heard in the world? Simpering for a camera and referring to yourself as “an artist” doesn’t make you one, nor does it make your music listenable. It’s comforting to hear that she was prepared to “make something laughably bad.” Success!

  • lorq

    Overtones of Diamanda Galas here as well.

  • Noddy93

    no no, it’s clearly exene and jarboe. i can honestly say that i would have loved this 25 years ago… as it stands, i still like it. most musics i hear these days require multiple listens before my ears hear something.

  • dtll041

    This video is incredibly beautiful! 

  • http://www.peterbagge.com/ Buddy Bradley

    This would be wonderful live, I’m sure.

    Though not as good, it reminded me a lot of this:
    http://youtu.be/PLBQfKt18CA