If you've ever heard Meco's classic space disco version of the Star Wars theme, or played the Xenon pinball machine, or saw the original Atari TV commercials, then you've heard the pioneering electronic music of Suzanne Ciani. From her earliest days studying with Don Buchla at UC Berkeley and Max Mathews at Stanford to her commercial work in the 1970s and 1980s to Grammy-nominated New Age music in the 1990s, Ciani has been a prolific composer and electronic music innovator. Here is a 1979 interview with her about creating the sounds for Bally's Xenon pinball machine:
The excellent Finders Keepers Records has just issued Suzanne Ciani: Lixiviation, a fantastic collection of her early recordings -- TV spots, corporate IDs, advertising jingles, and other short bits of brilliance. Check out her music for an Atari Liberator television commercial:
From Finders Keepers:
A classically trained musician with an MA in music composition this American Italian pianist was first introduced to the synthesizer via her connections in the art world when abstract Sculptor and collaborator Harold Paris introduced Suzanne to synthesizer designer Don Buchla who created the instrument that would come to define Ciani's synthetic sound (The Buchla Synthesiser). Cutting her teeth providing self-initiated electronic music projects for art galleries, experimental film directors, pop record producers and proto-video nasties Suzanne soon located to New York where she quickly became the first point of call for electronic music services in both the underground experimental fields and the commercial advertising worlds alike. Counting names like Vangelis and Harald Bode amongst her close friends Suzanne and her Ciani Musica company became the testing ground for virtually any type of new developments in electronic and computerized music amassing an expansive vault of commercially unexposed electronic experiments which have remained untouched for over 30 years… until now.
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