Features Podcasts Family Video Comics Music Tech Science Books Film & TV Games ✚

Jill

Video for Brother Sun, Sister Moon's "Ghost of Barry Mill"

David Pescovitz at 11:01 am Tue, Apr 24, 2012

— FEATURED —

Science

Making sense of the confusing Supreme Court DNA patent ruling

Book Review

The 'Geisters: spooky, scary novel

Science

Ants and Stars: Bruce Sterling and Jasmina Tesanovic visit the Sardinia Radio Telescope in Italy

Feature

The Snowden Principle

— FOLLOW US —

Boing Boing is on Twitter and Facebook. Subscribe to our RSS feed or daily email.

 

— POLICIES —

Except where indicated, Boing Boing is licensed under a Creative Commons License permitting non-commercial sharing with attribution

 

— FONTS —

Tweet
Kindle

Several weeks ago, I posted about the magical low-fi lullabies of Brother Sun, Sister Moon, a collaboration between Alicia Merz (Birds of Passage) and Gareth Munday (Roof Light.) As Human Pattern created the dreamy video above for Brother Sun, Sister Moon's "Ghost of Barry Mill." Brother Sun, Sister Moon

David Pescovitz is Boing Boing's co-editor/managing partner. He's also a research director at Institute for the Future. On Instagram, he's @pesco.

More at Boing Boing

Ants and Stars: Bruce Sterling and Jasmina Tesanovic visit the Sardinia Radio Telescope in Italy

The Snowden Principle

  • Jacarutu!

    What is the deal with this generation and lullaby music played on a kids piano? God I’ll be glad when this era in music is dead and gone.  No more scarves and corduroy jackets.  Bring back rock!

  • milanalewis

    http://www.tt.net/trg/projects/89345.html
    This is actually Brother Son Sister Moon.

    • David Pescovitz

      Yeah, we went through all that in the previous post about them. The movie, the Information Society-related band (that isn’t this), etc. Carry on.

  • zuben

    I like this. I closed my eyes while listening and had a bit of a daydream.

    In it, this was a dusty reel lost in some obscure studio’s archive. It features Nick Drake on acoustic guitar and Roger Waters arranging/producing ca. 1968.

    For the vocals, Roger was able to channel Hope Sandoval from the future by dialing the reverb to 11.eleventy1 while peaking on acid. The results would inspire him to compose Julia Dream.