In Public Works, Matty -- fast becoming one of the best characters in comics -- goes undercover on a work-crew operated by a thinly veiled version of Halliburton, a profiteering, ruthless government contractor whose savage mercenaries fight with the UN for jurisdiction over New York.
Wood is a tremendous writer, with a great sense of plot and a soft, smart touch at portraying the two sides that are most opposed in any war: the combatants versus the noncombatants.
DMZ is unrelentingly angry and mean, smart and shocking. Riccardo Burchielli's artwork is the perfect complement, using simple layouts and a great eye for facial expressions as well as backgrounds to keep the pace up. This is one hell of a collection.
I was privileged to write the introduction for this one, and I'm still glowing at the honor. This is special stuff, like Watchmen or Transmetropolitan, comics that have changed the way I look at the genre. Here's an excerpt from the intro:
DMZ is a special kind of angry comic, the kind of angry war comic that tells the story of the other side in the war.Read the rest