There are a lot of covers of Frozen's themesong "Let it Go" on Youtube -- enough to seriously freak out the loony Christian right -- but Brian Hull beats 'em all, managing to sing the song, verse-by-verse, in the voices of characters from across the cinematic history of Disney and Pixar. What's your favorite?
Disney and Pixar Sings Let it Go
(via Seanan McGuire)
Nothing is a supercut of scenes from Seinfeld in which no humans appear, creating a show that's not only about nothing, but also about no one. It's pretty great, especially once you get into the interior shots around 4:40.
BTW, I just checked and the Seinfeld box-set is still $59 on Amazon -- all 33 discs' worth.
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In my latest Guardian column, If GCHQ wants to improve national security it must fix our technology, I argue that computer security isn't really an engineering issue, it's a public health issue. As with public health, it's more important to be sure that our pathogens are disclosed, understood and disclosed than it is to keep them secret so we can use them against our enemies.
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Michael Geist writes, "Canada and South Korea announced agreement on a comprehensive trade agreement earlier today. The focus is understandably on tariff issues, but the agreement also contains a full chapter on intellectual property (note that the governments have only released summaries of the agreement, not the full text, which is still being drafted). The IP chapter is significant for what it does not include. Unlike many other trade deals - particularly those involving the U.S., European Union, and Australia - the Canada-South Korea deal is content to leave domestic intellectual property rules largely untouched. The approach is to reaffirm the importance of intellectual property and ensure that both countries meet their international obligations, but not to use trade agreements as a backdoor mechanism to increase IP protections."
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You've probably seen Garfield Minus Garfield, a collection of Jim Davis Garfield strips in which Garfield himself has been removed, transforming the strip into a sinister portrait of Jon Arbuckle's descent into irretrievable madness.
But there's a good case to be made for Garfield without Garfield's thought-bubbles as the true standard-bearer for disorienting and unexpectedly great Garfield remixes. With this view, Jon Arbuckle is cast as a man who carries on detailed conversations with a cat, which is arguably weirder than the idea that he's merely wildly hallucinating.
Garfield without Garfield’s Thought Balloons
(via Pipe Dream Dragon)
The Public Prosecutor of Rome has unilaterally ordered Italy's ISPs to censor 46 sites, and it appears the ISPs are complying, even though no complaint had been lodged against the sites, nor had any judge issued any order related to them. This doesn't bode well for the governance style of the new Prime Minister, Matteo Renzi, a young politician who is trying to set himself apart from the autocratic Berlusconi regime, which used tight media control as part of its corrupt governance strategy.
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Dan Gillmor's got more to say
about the news that K-cups are getting coffee DRM
and what it means in the wider world: "Just as the police and security agencies are racing deploy all new technologies to spy on everyone – whether the law permits it or not – private industry is racing to retain as much control as possible over the products and services it sells, and thereby control over us."
When you watch Netflix videos in the Chrome browser, the service disables Chrome's developer console, a debugging and programming tool that gives you transparency and control over what your browser is doing. The Hacker News thread explains that this is sometimes done in order to stop an attack called "Self-XSS" that primarily arises on social media sites, where it can cause a browser to leak nominally private information to third parties. But in this case, the "Self-XSS" attack Netflix is worried about is very different: they want to prevent browser owners from consciously choosing to run scripts in the Netflix window that subvert Netflix's restrictions on video.
This is the natural outflow of the pretense that "streaming" exists as a thing that is distinct from "downloading" -- the idea that you can send a stream of bytes to someone else's computer without the computer being able to store those bytes. "Streaming" is at the heart of "rental" business models like Netflix's, and there's nothing wrong with the idea of rental per se. But the only way to attain "rental" with computers is to design computers so that their owners can't give them orders that the landlords disagree with. You have to change the computer and its software so that you can't see what it's doing and can't change what it's doing.
Your browser is a portal to your whole social life, your financial life and your work life, entrusted with the most potentially compromising secrets of your life. Anything that allows third parties to make it harder for you to figure out what the browser is doing, or to prevent it from doing something you don't want, should be a non-starter. As soon as a powerful entity like Netflix comes to depend on -- and insist on -- computers that owners can't control, that company is doing something wrong. Not because rentals are bad, but because taking away owner control from computers is bad.
This is why it's such a big deal that Netflix has convinced Microsoft, Apple, and Google to build user-controlling technology into their browsers, and why it's such a big deal that Microsoft, Apple, and Google have convinced the W3C to standardize this for all devices with HTML5 interfaces. Any time we allow the discussion to be sidetracked into "How can Netflix maximize its revenue by enforcing rental terms?" we're missing the real point, which is, "How can people be sure that their browsers aren't betraying them?"
Netflix disables use of the Chrome developer console (pastebin.com)
Eric sends us this site documenting the construction of a kid-sized, 2/5-scale Batpod as seen in The Dark Knight: "My friend Travisis a pretty rad maker. He successfully built a 1:4 scale electric Sherman tank for his son. And judging by the finish work of the tank, I am sure this is going to be even more killer."
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In this International Labour Office complaint, Miranda Brown, a former employee of the World Intellectual Property Agency, alleges that WIPO Director General Francis Gurry illegally collected DNA samples from WIPO staffers in order to out a whistleblower. The complaint stems from Gurry's campaign to secure the Director General's job, during which an anonymous staffer posted letters alleging that Gurry engaged in sexual harassment and financial improprieties. Brown, who was forced to resign, says that Gurry secretly directed UN security officers to covertly collect lipstick, dental floss, and other personal items from WIPO staffers in order to attain DNA samples that could be used to identify the letters' author. Gurry is also implicated in a multi-million dollar construction scandal over the building of the new WIPO HQ, which took place when he was legal counsel to the agency.
The entire affair is incredibly sordid, with multiple cover-ups. The complaint paints a picture of a reign of absolute terror, with staffers fearful of reprisals from Gurry over any questioning or reporting of a pattern of bullying, impropriety, harassment and defamation. Having served as a delegate to WIPO, I find it all rather easy to believe. I have never encountered a body more openly corrupt in my life.
INTERNATIONAL LABOUR OFFICE ADMINISTRATIVE TRIBUNAL [PDF]
(Image: HL Dialogue No 3, ICT Innovations and Standards, a CC-BY image from itupictures)
I've been thinking about the news that Keurig has added "DRM" to its pod coffee-makers since the story first started doing the rounds a couple of days ago. I've come to the conclusion that while the errand is a foolish one, and the company deserves nothing but contempt for such an anti-competitive move, that there might be a silver lining to this cloud. As I've written recently, there's not a lot of case-law on Section 1201 of the Digital Millennium Copyright Act (DMCA), the law that prohibits "circumventing...effective means of access control" to copyrighted works. In the past, we've seen printer companies and garage door opener manufacturers claim that the software in their devices was a "copyrighted work" and that anyone who made a spare part for their products was thus violating 1201. But that was 10 years ago, and it's been a while since there was someone stupid and greedy enough to try that defense.
I think Keurig might just be that stupid, greedy company.
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Jen from Cake Wrecks made this amazing AT-AT rocking-horse, documenting the build online (she's promised plans to follow). It will be auctioned for charity at Megacon by the Florida chapter of the 501st Legion.
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The Obama administration has a new negotiator in its effort to pass the Trans-Pacific Partnership, a secretly negotiated treaty that includes broad powers to censor and surveil the Internet: Robert Holleyman
, one of the chief SOPA lobbyists. Holleyman just retired from serving as head of the Business Software Alliance. His successor is Victoria Espinel, who just quit the Obama administration, where she served as "IP Czar." Obama promised to shut down the revolving door between lobbyists and government, but it's spinning quicker than ever. — Cory
danah boyd has posted a free PDF of the full text of her must-read book It's Complicated, the best book about young people and the Internet I've read to date. boyd hopes you'll enjoy the book and then support her and her publisher by buying a copy, sending a signal "that this book is important, that the message in the book is valuable."
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Last August, I posted about a lawsuit brought by Larry Lessig and the Electronic Frontier Foundation against Australia's Liberation Music, who hold the rights to "Lisztomania," a song by the French band Phoenix. Lessig had used brief clips from Lisztomania in a presentation on remix culture, and when the lecture was posted to Youtube, Phoenix Music sent a series of bogus copyright notices and threats to Youtube and Lessig.
Now (unsurprisingly), Liberation has settled, admitting that it was wrong. It has paid a confidential sum to EFF to cover costs and pay for future work defending the rights of people whose work is censored from Youtube by bogus copyright claims. It has also promised to fix the way it polices its copyright.
The best part is the statement released by Phoenix, who were apparently aghast to learn that their label was so reactionary when it came to remixing and fair use. It's amazing to see a band bust out statements like "One of the great beauties of the digital era is to liberate spontaneous creativity - it might be a chaotic space of free association but the contemporary experience of digital re-mediation is enormously liberating."
Click through for the whole thing, it's amazing.
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