Steven Brust's "Good Guys," a hardboiled noir urban fantasy, with everything great about Brust on proud display

Steven Brust is a literary treasure and his longrunning Vlad Taltos series, now nearing its final volume, is a good example of where his strengths lie: hardboiled plotting, snappy dialog, weirdly realistic and plausible depictions of magic, and a sensitive eye for power relationships and their depiction, all of which are on display in his latest, outstanding novel, Good Guys, about the minimum-wage sorcerers who investigate magical crimes on behalf of a secret society.

The Incrementalists: Steven Brust and Skyler White's novel about an immortal secret society

Steven Brust and Skyler White's The Incrementalists is a spectacular new contemporary fantasy novel about an immortal cabal of dysfunctional do-gooders who use their subtle, near-wizardly powers of persuasion to alter the course of history, and change bodies by implanting their memories into the bodies of successors chosen from the population at large. — Read the rest

Expanded "Welcome to Bordertown" audiobook, with Neil Gaiman, Steven Brust, Ellen Kushner and more

There's a new special-edition audiobook of Welcome to Bordertown, the YA reboot of the amazing, classic urban fantasy shared-world anthologies that practically invented the genre. The special edition includes lots of new material, such as Neil Gaiman's reading of his poem "The Song of the Song" and Steven Brust fronting a musical version of his "Run Back Across the Border" — there's lots more, and its all available as a DRM-free MP3CD. — Read the rest

The lost audiobooks of Roger Zelazny reading the Chronicles of Amber

When I was a kid, my whole circle of D&D-playing, science-fiction reading pals was really into Roger Zelazny's ten-volume Chronicles of Amber, but somehow I never read it; for years, I'd intended to correct this oversight, but I never seemed to find the time — after all, there's more amazing new stuff than I can possibly read, how could I justify looking backwards, especially over the course of ten books?

On the role of truth and philosophy in fantastic fiction

Fantasy and science fiction author and political activist Steven Brust (previously) was this year's Guest of Honor at Philcon, an excellent Philadelphia-area science fiction (I have also had the privilege to be Philcon's GoH, and it's a great con); his guest of honor speech is entitled Truth as a Vehicle for Enhancing Fiction, Fiction as a Vehicle for Discovering Truth, and he's posted a transcript to his blog.

Listen up: you really owe it to yourself to read 15 Vlad Taltos novels, seriously

I have been reading Steven Brust's Vlad Taltos novels since I was a pre-teen and singing their praises on Boing Boing since 2006, and with the occasion of the publication of Vallista, the fifteenth and nearly final volume in the series, I want to spend some time explaining to you why goddamnit you should really consider reading 15 books, get caught up, and finish this sucker with me, because if there was any justice in this world, the Vlad books would have a following to shame The Dark Tower at its peak.

Trump and Brexit are retaliation for neoliberalism and corruption

Glenn Greenwald frames what I've been trying to articulate: as neoliberalism and its handmaiden, corruption, have swept the globe, making the rich richer, the poor poorer, and everyone in the middle more precarious; as elites demonized and dismissed the left-behinds who said something was wrong; as the social instability of inequality has been countered with increasingly invasive domestic "war on terror" policing, millions of people are ready to revolt, and will support anyone who promises no more business as usual.

Why I'm not boycotting Ender's Game

Earlier today, Mark wrote about a boycott of the Ender's Game movie; called for on the basis of Orson Scott Card's public statements opposing gay marriage. Unlike Mark, I really enjoyed Ender's Game and read it several times; later, I read John Kessel's brilliant essay about it and realized some of the ways in which it brilliantly — and troublingly — snuck in a message of justifiable pre-emptive violence. — Read the rest

What it feels like to submit a manuscript

Steven Brust nails what it feels like after you send a book in to your editor:

It has now been over an hour since I sent my [email/query/story submission/250 thousand word novel] and I have heard nothing. Nothing. I now understand Lee's frustration at Gettysburg when Stuart didn't show up.

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