Steven Brust is a literary treasure and his longrunning Vlad Taltos series, now nearing its final volume, is a good example of where his strengths lie: hardboiled plotting, snappy dialog, weirdly realistic and plausible depictions of magic, and a sensitive eye for power relationships and their depiction, all of which are on display in his latest, outstanding novel, Good Guys, about the minimum-wage sorcerers who investigate magical crimes on behalf of a secret society.
Hawk, the 14th book in Steven Brust's Vlad Taltos series, is a moving, funny and tantalizing end-game glimpse of the assassin, reluctant revolutionary and epic wisecracker. Cory Doctorow explains why he's been reading this generation-spanning series of Hungarian mythology, revolutionary politics, and gastronomy for more than 30 years.
Steven Brust and Skyler White's The Incrementalists is a spectacular new contemporary fantasy novel about an immortal cabal of dysfunctional do-gooders who use their subtle, near-wizardly powers of persuasion to alter the course of history, and change bodies by implanting their memories into the bodies of successors chosen from the population at large. — Read the rest
There's a new special-edition audiobook of Welcome to Bordertown, the YA reboot of the amazing, classic urban fantasy shared-world anthologies that practically invented the genre. The special edition includes lots of new material, such as Neil Gaiman's reading of his poem "The Song of the Song" and Steven Brust fronting a musical version of his "Run Back Across the Border" — there's lots more, and its all available as a DRM-free MP3CD. — Read the rest
Two of the greats of science fiction and fantasy literature, Emma Bull (War for the Oaks and many others) and Steven Brust (the Vlad Taltos books and many others) have coincidentally gone for surgery at the same time. Emma had a thyroidectomy on August 8th to investigate a 4 cm nodule on her thyroid. — Read the rest
Steven Brust's Tiassa is the thirteenth volume in the long-running Vlad Taltos series, a fantasy epic that combines hard-boiled crime-writing with economic critique, revolutionary war, fine cookery, and (naturally) swashbuckling sword and sorcery. Vlad Taltos is an Easterner (a human like us) among Drageareans (immortal, magical faerie folk who belong to one of several noble "houses" that influence their character and profession). — Read the rest
I've written before about Steven Brust's delightful, epic Vlad Taltos novels, a long-running series of sword-and-sorcery novels about a wisecracking human assassin in a land where the ruling class is composed of ancient, long-lived elves from a variety of noble houses named for animals. — Read the rest
I've been reading Steven Brust's Vlad Taltos books since I was a boy, and nothing pleases me more than discovering a new one on the shelf, as I did this week, picking up the paperback of Jhegaala, the eleventh volume in the series. — Read the rest
Steven Brust, long one of my favorite fantasy writers, has posted the full text of a Firefly fan-fic novel he wrote. He talked to me about this book last year, saying that he just had to write it — that it sat up in his head one day and demanded to be let out. — Read the rest
Over the weekend, I finished Dzur, the latest volume of Steven Brust's snappy, swashbuckling heroic fantasy novels about Vlad Taltos and the world of Dragaera. I've been reading these since I was an adolescent, and I feel like they've grown up with me. — Read the rest
When I was a kid, my whole circle of D&D-playing, science-fiction reading pals was really into Roger Zelazny's ten-volume Chronicles of Amber, but somehow I never read it; for years, I'd intended to correct this oversight, but I never seemed to find the time — after all, there's more amazing new stuff than I can possibly read, how could I justify looking backwards, especially over the course of ten books?
Vlad Taltos is the (anti)hero of Steven Brust's stupendous, longrunning fantasy series (which is nearly complete, a generation after it was begun!); Issue 220 of Dragon magazine (August 1995) included a feature by Ed Stark explaining how to play the human assassin and witch who lives amidst a race of nearly immortal elves, against whom he bears a serious grudge. — Read the rest
“Why do we contract out work that’s obviously vital to the health of this company and the products we build?” wrote one Facebook worker.
Fantasy and science fiction author and political activist Steven Brust (previously) was this year's Guest of Honor at Philcon, an excellent Philadelphia-area science fiction (I have also had the privilege to be Philcon's GoH, and it's a great con); his guest of honor speech is entitled Truth as a Vehicle for Enhancing Fiction, Fiction as a Vehicle for Discovering Truth, and he's posted a transcript to his blog.
When I was a kid, we used to sing Merle Travis's Sixteen Tons in the car on long trips: it's a poetic masterpiece, capturing the clash between a worker's proud and indomitable spirit and his impossible, inescapable poverty trap (chances are you've heard Tennessee Ernie Ford or Johnny Cash perform it).
A new Florida law redefines the reach of beachfront property owners' claims to "the land above the mean high-tide level." This seemingly innocuous change means that private property owners — and their patrolling rent-a-cops — will have vastly expanded powers to kick members of the public off of public beaches.
I have been reading Steven Brust's Vlad Taltos novels since I was a pre-teen and singing their praises on Boing Boing since 2006, and with the occasion of the publication of Vallista, the fifteenth and nearly final volume in the series, I want to spend some time explaining to you why goddamnit you should really consider reading 15 books, get caught up, and finish this sucker with me, because if there was any justice in this world, the Vlad books would have a following to shame The Dark Tower at its peak.
Glenn Greenwald frames what I've been trying to articulate: as neoliberalism and its handmaiden, corruption, have swept the globe, making the rich richer, the poor poorer, and everyone in the middle more precarious; as elites demonized and dismissed the left-behinds who said something was wrong; as the social instability of inequality has been countered with increasingly invasive domestic "war on terror" policing, millions of people are ready to revolt, and will support anyone who promises no more business as usual.
The private phone companies that charge prisoners' families up to up to $12.95 for 15 minutes' conversation are not the worst prison profiteers, but they're pretty high up in the rogues' gallery of greedy, immoral predators who view the poorest and most vulnerable Americans as penned-up wallets.
Laurie Penny weighs in with an important addition to the discussion about privilege and pain, making the important point that privilege is not the absence of pain, discrimination or hellish conditions — but that doesn't mean that the nerds who suffered through school bullying are without it.
