"I made my first matchhead in 1982. Kinskihead was a response to a reviewer comparing one of my magazine installations to a weekend modeller making a ship or the Eiffel Tower out of matches. The reviewer talked about matches as if their rightful place was at the bottom of the materials league. I was puzzled by this and immediately attracted to this underdog. Of course the reviewer was referring to modellers who don't use matches but just matchsticks, small pieces of wood. Live matches offer an entirely different proposition. The first head, Kinskihead, was set alight by mistake. It was originally made out of blue and red matches but once burnt they became different shades of grey ash. What interests me is the violence and power involved in that change and the fact that this performance comes from such a cheap, throwaway, almost non-material...
There doesn't seem to be any limit to the subject matter and of course they all have that lethal incendiary device capability. In fact you can describe three clear lives to these sculptures: the original head with colour; the performance of burning it; and the burned head, instantly aged black and white version of the original. Not bad for a nothing material."
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
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