Eileen Gunn has posted the final issue of her magnificent online sf magazine, The Infinite Matrix, and she's concluded the issue with a wonderful original essay by William Gibson:
Squeezing in past a sheet of plywood, I explored a series of cold, empty rooms. One of these (my heart beat faster) contained a damp old trunk. Having worked up the nerve to open it, I found only a few faded lithographs (as I now imagine they were) of airplanes. But these were airplanes unlike any I had seen, and they held my attention in a peculiar way. They were old, clearly of some other era, but exciting, and somehow frightening as well. Squatting there, staring at them, I felt as though some enormous wedge of information was being driven into my head. Various bits and pieces of half-knowledge were coming together, forming some new and utterly unexpected whole. I already knew, as if by osmosis, that there had been a war, though I didn't know when, or with whom. I had been raised, so far, by adults who sometimes spoke of "the war" as some previous time or era or world, but I had somehow never associated that with other, more vague ideas of some past and general conflict. I had read comic books about war, and played with military toys, but had never considered how those might fit into some way the world had actually been.
I had found World War II, in that trunk. I had discovered history, or it me, and I would never be the same.
Science fiction, then, I found on various wire racks, one of them offering a 15-cent copy of the Classics Illustrated version of The Time Machine – which must have led me, just as its publishers claimed to have intended it to, to Wells's text. When George Pal's film version was released, in 1960, I already felt, though secretly, that The Time Machine was mine, part of a personal and growing collection of alternate universes, and that no one else in the theater really got it.
This gadget does exactly as promised: it looks like a thumbdrive (sort of) and fries the circuitry of any computer it’s plugged into. It’s made from camera flash parts, is charged with a standard AA battery, and delivers a 300V zap of DC destruction to the port for all your USB-murdering needs. Note that this […]
The Cobham catalog, exposed by The Intercept, features countless pages of surveillance gadgets sold to U.S. police to spy on American citizens: tiny black boxes with a big interest in you. In the creepily bland feature lists and nerdy product names is a whisper of a dark future; perhaps darker than anyone can imagine.
This image depicts the most commonly-found stylesheet colors on the web’s top sites—Paul Hebert did an amazing amount of analysis and this is just one of the intriguing visualizations he came up with. Most of these are obvious staples, especially HTML red and blue, though it’s interesting how far the blue “cluster” is from the […]
The Pocket Tripod PRO had massive Kickstarter success in 2013, raising almost $85,000 in a single month. But this isn’t just another case of pre-release product hype. This ingenious little device folds out from a credit-card-shaped plastic slab into a sturdy stand with a surprisingly wide range of motion. In portrait orientation, your phone slides […]
Loot Crate is a totally different kind of subscription service that mails subscribers monthly boxes filled with curated geek, pop culture, and gamer paraphernalia. Its cult following awaits a box every month filled with everything from bobble heads to T-shirts to special edition collectibles. But nothing gets Loot Crate fans as excited as the limited […]
The ARMOR-X Mini Flexible Phone Tripod is a smartphone tripod that is designed with flexible legs to rest on virtually any type of surface. Other tripods have proved useless unless I conveniently have a flat surface in front of me, which is why this particular tripod was appealing enough to try out. The ARMOR-X is compact and easy […]