: the last cover of the Beirut edition of Time Out
magazine before the current war broke out. (thanks, Katy
See also this related New York Times story -- "In Beirut, Cultural Life Is Another War Casualty," by Jad Mouawad: Link.
Update: Ah, wow -- there's a fascinating story behind this magazine cover, involving two editors: one from "Time Out Beirut," the other from "Time Out Tel Aviv." Lisa Goldman, a freelance Israeli journalist, blogs:
This is the story of two men, one from Beirut and one from Tel Aviv, who met less than four months ago and formed an instant friendship. They believed that the things they had in common were far more significant than politics - until the twisted reality of the Middle East interfered with that conviction.Link
This is the July 20 cover of Time Out Tel Aviv, published one week after the current conflict began. It is based on a famous 1970's New Yorker cover, A View of New York from Ninth Avenue. But whereas the world beyond New York's Hudson River is portrayed as a quiet, peaceful place, the world beyond Tel Aviv's Yarkon River is one of turmoil and violence. To the right are Baghdad and Tehran; on the left are Haifa, Tiberias, Carmiel, Acre and Kiryat Shmona - areas that have been under constant bombardment since July 12. The cluster of buildings at the top is Beirut.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
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The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.