The first-ever Creative Commons-licensed electronica album that is backed by a collecting society has just been released. This means that the artist will get paid for radio-play and live performance (which the collecting societies get money for), a major breakthrough since many collecting societies have been hostile to CC, telling members that if they adopt CC licenses, they can kiss their radio-play money goodbye.
Henrik sez, "I am really excited about this release - it's a FABULOUS album (the best CC licensed music I have ever heard) and finally a break for serious musicians trying to make a living off their art - collecting societies still play a large role around here, and no sane musician would pass on their checks."
Today marks the release of Small Arm of Sea, the debut album by female indietronica singer, songwriter and producer Tone (Sofie Nielsen). While the album itself is unique in its style and substance, seamlessly combining abstract electronic composition techniques with a clear pop sensibility, it is equally as intriguing in terms of distribution. Small Arm of Sea is available both in stores (on both combined CD/DVD w/ visuals or vinyl) and online (for free, non-DRM download), with physical copies containing the text “Copy this album for your friends, please!”.
The most interesting aspect of the album’s distribution is that Small Arm of Sea is both CC-licensed (BY-NC-ND) and backed commercially by KODA, Denmark’s music collection society. This means that not only is Small Arm of Sea available for free and open sharing, but also operating within in the traditional Danish commercial structure, in which KODA collects royalties for commercial uses. This is the first album of its kind to be released in such a way, and label Urlyd, who are releasing the album, are understandably ecstatic.
BMG Rights Management and Round Hill Music. has been trying to enlist Cox Cable as an accomplice in a copyright trolling scheme, demanding that the company pass on copyright infringement notices that accuse users of downloading music and order them to pay large sums of music or face punishing lawsuits.
In 2014, Britain strode boldly into the late 20th century, finally legalising “private copying” — ripping CDs, taping LPs, recording TV shows, backing up your ebooks and games — but now it’s thought better of the move.
After years of missteps, blunders and disasters in which Youtube users have been censored through spurious copyright claims or had their accounts deleted altogether, Google has announced an amazing, user-friendly new initiative though which it will fund the legal defense of Youtube creators who are censored by bad-faith copyright infringement claims.
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