The first-ever Creative Commons-licensed electronica album that is backed by a collecting society has just been released. This means that the artist will get paid for radio-play and live performance (which the collecting societies get money for), a major breakthrough since many collecting societies have been hostile to CC, telling members that if they adopt CC licenses, they can kiss their radio-play money goodbye.
Henrik sez, "I am really excited about this release - it's a FABULOUS album (the best CC licensed music I have ever heard) and finally a break for serious musicians trying to make a living off their art - collecting societies still play a large role around here, and no sane musician would pass on their checks."
Today marks the release of Small Arm of Sea, the debut album by female indietronica singer, songwriter and producer Tone (Sofie Nielsen). While the album itself is unique in its style and substance, seamlessly combining abstract electronic composition techniques with a clear pop sensibility, it is equally as intriguing in terms of distribution. Small Arm of Sea is available both in stores (on both combined CD/DVD w/ visuals or vinyl) and online (for free, non-DRM download), with physical copies containing the text “Copy this album for your friends, please!”.
The most interesting aspect of the album’s distribution is that Small Arm of Sea is both CC-licensed (BY-NC-ND) and backed commercially by KODA, Denmark’s music collection society. This means that not only is Small Arm of Sea available for free and open sharing, but also operating within in the traditional Danish commercial structure, in which KODA collects royalties for commercial uses. This is the first album of its kind to be released in such a way, and label Urlyd, who are releasing the album, are understandably ecstatic.
Businesses like Adobe Stock use large, visible watermarks to deter copyright infringement; a new paper presented by Google Researchers to the Computer Vision and Pattern Recognition shows that these watermarks can be reliably detected and undetectably erased by software.
US court records are not copyrighted, but the US court system operates a paywall called “PACER” that is supposed to recoup the costs of serving text files on the internet; charging $0.10/page for access to the public domain, and illegally profiting to the tune of $80,000,000/year.
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