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Public domain collection of film noir at Archive.org

Mark Frauenfelder at 10:09 am Wed, Oct 7, 2009

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200910070939
The Killing

Earlier this week I remarked on Twitter how much I enjoyed Stanley Kubrik's 1956 movie about a race track heist, The Killing. Jack Shafer replied, "Okay, now you're ready for Detour (Edgar G. Ulmer). It will change your life."

I checked Netflix and learned that Detour isn't available there. But I remembered that archive.org has a large collection of public domain movies, so I looked there and lo and behold, they had it. I downloaded the highest resolution version watched it. The quality was quite good, aside from a couple of wobbly parts and a second of missing dialogue.

200910070935
Detour

Jack steered me straight. This 1946 black-and-white film is as grim, hard-boiled, and twisty as any film noir title I've ever seen. Al (Tom Neal) plays a talented pianist stuck in cheap joint in New York. He's got an attitude to match the atmosphere (when a patron gives him a ten-dollar tip after he plays an insanely complex piece, he remarks that it's just "a piece of paper crawling with germs.")

Naturally, Al falls for the house singer, but she won't marry him because he doesn't have enough money. When she goes to Hollywood to try to become an actress, Al quits his job and starts hitchhiking across the country to be with her. He doesn't know it, but when a flashy loudmouth in a big car picks him up, Al's fate is sealed. Ann Savage, playing a femme fatale who seethes with bitter poison, is a show stealer.

It turns out that Archive.org has a collection of 43 film noir titles. If you've seen any of them, I'd appreciate it if you added your recommendations in the comments.

Archive.org's Welcome to Film Noir: expressionistic crime dramas of the 40s and 50s: tough cops and private eyes, femme fatales, mean city streets and deserted backroads, bags of loot and dirty double-crossers.

Mark Frauenfelder is the founder of Boing Boing and the editor-in-chief of MAKE and Cool Tools. Twitter: @frauenfelder. Come and hear Mark speak at the ALA conference in Chicago on July 1.

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  • Snaile

    I recommend: D.O.A, The Hitch-Hiker, and Scarlet Street (Fritz Lang and Edward G. Robinson!) Enjoy!

  • mzed

    I just watched “Beat the Devil.” Great script (John Huston and Truman Capote), Great Cast. Not really noir, but worth watching.

  • TenWoodbines

    Dick Powell in Murder My Sweet (Farewell My Lovely). I could, and have, watched countless times.

  • ldorts

    Definitely DOA and Scarlett Street. The others on the list I’ve seen (Kansas City Confidential, He Walked By Night) were forgettable.

  • mojo

    “The Killing” is Kubrick, so of course it’s good. “The Killers” (1946 – Burt Lancaster, Ava Gardner, Edmund O’Brien) is by Hemingway, but I won’t hold that against it. Sometimes simple writing is good. And Ava is just gorgeous.

    See also: “Where the Sidewalk Ends” and my personal fave “Kiss of Death” with Richard Widmark as giggling psycopath Tommy Udo.

  • Church

    Another item in the “copyright needs must be shorter” department.

  • ppad

    Archive.org also has “Lady in the death house,” which is a terrible B-noir; it’s also one of the funniest things I’ve ever seen.

  • Robbo

    Ida Lupino’s “The Hitchhiker” is the real gem of the collection.

    http://www.archive.org/details/IdaLupinostheHitch-hiker1953

  • Elvis Gump

    Detour is good, but I think that “Out of the Past” is the king of all noir films
    http://www.imdb.com/title/tt0039689/

    And one that I don’t see here that’s a close second is “Kiss Me Deadly” based on the Spillane novel.
    http://www.imdb.com/title/tt0048261/

    Kubrick’s “The Killing” is good, but more like a try at a genre film to break into the business which he and his then production partner James Harris were trying to do. And it worked, but it’s not really that great a noir film.

  • The Unusual Suspect

    Another vote for “D.O.A.”

    And, though it’s less of what people think as film noir, “Suddenly” is a real treat, wherein we get to watch Frank Sinatra as a psychopathic killer out to assassinate the President.

  • Anonymous

    Watched Detour in my Film Noir class… wow, could I sound more college?

    Anyways, I love that film so much. Thanks for linking this.

  • Anonymous

    DOA is brilliant. Scarlett Street is pretty good. I personally like He Walked By Night but many don’t. Too Late for Tears is also pretty good. The rest that I’ve seen, including Beat the Devil, are junk, in my opinion, although I haven’t seen all of them so there could be some hidden gems in there.

  • theghostoflordbeaverbrook

    While Detour is great, especially with the budget they had to work with, I found The Killing to be more enjoyable as the plot feels much more developed. Though both are great and if you haven’t seen them, you really should.

  • theghostoflordbeaverbrook

    Also, as a recommendation, if you enjoyed Detour you’ll probably like Cat People.

  • Anonymous

    Is there any way to post up either documentary:

    1) The Rules of Film Noir by Matthew Sweet
    2) The Best of Film Noir

  • orwellian

    ‘Martha Ivers’ is a wonderful movie. It’s full of great actors and writing and was Kirk Douglas’ first movie, something you’ll never believe when you see him in it.

    I’ve read ‘Detour’ and thought it wonderful.

    ‘Suddenly’ is very good and you can see why Sinatra was considered a good actor.

    ‘Murder, My Sweet’ was considered by Raymond Chandler to have the best portrayal of Philip Marlowe. Yes, better than Bogart.

    Looks like I should brew some coffee. I won’t be sleeping for a few nights. :-)

  • Anonymous

    here’s a really great place to find some public domain films: http://www.classiccinemaonline.com

  • wanion

    I went to download Detour at archive.org and saw that one of the preview thumbnails that flips through on the download page was the The End title card, so it’s good to know that this movie does, in fact, end. In case you were worried.

    Also, archive.org has The Stranger with Orson Welles and Edward G Robinson, which is pretty decent.

  • robcat2075

    DOA is quite good.

    “Beat the Devil” is fantastic, although it only qualifies as “noir” because someone thought Bogart’s presence made it so.

    Entertaining none-the-less. Great characters and great situations to put them thru the wringer.

  • http://briankirby.net Brian

    Detour is amazing.

    My favorite film noir is OUT OF THE PAST. Just incredible.

  • theatrechik77

    Detour is actually available at Netflix. Its title is listed as “Film Noir Collection: Detour.” Its been in my (long) queue for a bit – maybe I’ll move it to the top.

  • Anonymous

    I liked a lot of the movies featured on this site http://www.bnwmovies.com
    The thing which makes it better is the extremely simple and easy navigation.

  • dhc

    Just an fyi, I’ve created a longer list of the classic films that you’ll find on the Internet Archive and elsewhere. It can be sometimes hard to see what they have, so I gathered it all together here.

    http://www.openculture.com/2009/11/free_movies_online.html

    Wikipedia also has a helpful list of films in the public domain:

    http://en.wikipedia.org/wiki/List_of_films_in_the_public_domain_in_the_United_States

    Cheers,
    Dan

  • Anonymous

    Yes Cause for alarm is here

    http://www.classiccinemaonline.com/1/index.php?option=com_content&view=article&id=174:cause-for-alarm-1951&catid=107:suspense-thriller&Itemid=412

  • Ian Duckles

    DOA is quite fun in which a man discovers that he has been poisoned and must solve his own murder before he dies.

    Scarlet Street is excellent as well, directed by the great Fritz Lang and starring one of my favorite actors from the period, Edward G. Robinson.

    I also remember liking the Strange Life of Martha Ivers, but I don’t remember much about it.

    Unfortunately, Detour is the best of the bunch (one of my favorite noirs) and you have already seen that one.

  • thoughtmecca

    Kansas City Confidential is one of my favorite movies ever made. It’s truly a masterful thriller and worth the watch.