Here's an exclusive preview of a new book called Hammer Vault, about the maker of famed gothic horror films in the 1950s-1970s.
This remarkable journey through the Hammer Vault includes props, annotated script pages, unused poster artwork, production designs, rare promotional material and private correspondence. Hundreds of rare and previously unseen stills help to create a rich souvenir of Hammer’s legacy, from the X certificate classics of the 1950s to the studio’s latest productions.
Written and compiled by the official Hammer Films historian Marcus Hearn, and featuring exclusive contributions from the actors and filmmakers associated with the company, this is the most lavish book ever published on the legendary House of Horror.
Letters to and from some of the company's stars
Pages from Peter Cushing's scrapbooks
Pages from the scrapbook of managing director Michael Carreras
Pre-production artwork, and poster artwork from films that were never made
Rare and previously unpublished photos
The Hammer Vault, Copyright Marcus Hearn and Hammer Film Productions Limited as joint owners 2011.
The Hammer Vault is also available in a limited edition.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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