In the wake of Mike Daisey's exposure as a fabulist, The Storytelling Animal: How Stories Make Us Human arrives at the perfect moment. The Atlantic's Maura Kelly examines Jonathan Gottschall's argument that storytelling's deceptions emerge from deeply human needs:
When we tell stories about ourselves, they also serve another important (arguably higher) function: They help us to believe our lives are meaningful. "The storytelling mind"—the human mind, in other words—"is allergic to uncertainty, randomness, and coincidence," Gottschall writes. It doesn't like to believe life is accidental; it wants to believe everything happens for a reason. Stories allow us to impose order on the chaos.
And we all concoct stories, Gotschall notes—even those of us who have never commanded the attention of a room full of people while telling a wild tale. "[S]ocial psychologists point out that when we meet a friend, our conversation mostly consists of an exchange of gossipy stories," he writes. "And every night, we reconvene with our loved ones ... to share the small comedies and tragedies of our day."
Regarding Daisey, what I found most upsetting were not the lies about his visit to China, but those about storytelling itself: he lied about the nature of the lies we love. He expected others to accept his claims as journalism, and when exposed, excused this by appealing to dramatic license, to our acknowledgement that stories' truths may be complex and counterfactual.
This wasn't an attempt at rebuilding confidence in the underlying truth of his narrative. In his contempt for storytelling's subtle consensual boundaries, Daisey's only real demand was that all stories be seen as no more truthful than his.
RAWIllumination.net announced yesterday that a manuscript by Robert Anton Wilson has been found and will be published by RVP Publishers in the first half of 2017. The manuscript appears to be substantial, weighing in at 340 pages. RAW and Discordianism scholar Adam Gorightly rediscovered the book and wrote a forward for it. And although the […]
“Information Doesn’t Want to Be Free” is my 2014 nonfiction book about copyright, the internet, and earning a living, and it features two smashing introductions — one by Neil Gaiman and the other by Amanda Palmer.
5 years ago, Boing Boing described James Gleick’s The Information: A History, A Theory, A Flood as “a jaw-dropping tour de force history of information theory… The Information isn’t just a natural history of a powerful idea; it embodies and transmits that idea, it is a vector for its memes (as Dawkins has it), and […]
The Pocket Tripod PRO had massive Kickstarter success in 2013, raising almost $85,000 in a single month. But this isn’t just another case of pre-release product hype. This ingenious little device folds out from a credit-card-shaped plastic slab into a sturdy stand with a surprisingly wide range of motion. In portrait orientation, your phone slides […]
Loot Crate is a totally different kind of subscription service that mails subscribers monthly boxes filled with curated geek, pop culture, and gamer paraphernalia. Its cult following awaits a box every month filled with everything from bobble heads to T-shirts to special edition collectibles. But nothing gets Loot Crate fans as excited as the limited […]
The ARMOR-X Mini Flexible Phone Tripod is a smartphone tripod that is designed with flexible legs to rest on virtually any type of surface. Other tripods have proved useless unless I conveniently have a flat surface in front of me, which is why this particular tripod was appealing enough to try out. The ARMOR-X is compact and easy […]