Nearly 15 years of debate over digital copyright reform will come to an end today as Bill C-11, the fourth legislative attempt at Canadian copyright reform, passes in the House of Commons. Many participants in the copyright debate view the bill with great disappointment, pointing to the government's decision to adopt restrictive digital lock rules as a signal that their views were ignored.
Despite the loss on digital locks, the "Canadian copyfight" led to some dramatic changes to Canadian copyright as the passage of Bill C-11 still features some important wins for Canadians who spoke out on copyright. For example, the government expanded fair dealing and added provisions on time shifting, format shifting, backup copies, and user generated content in response to public pressure. It also included a cap on statutory damages, expanded education exceptions, and rejected SOPA-style amendments. Canadian public engagement on copyright continuously grew in strength - from the Bulte battle in 2006 to the Facebook activism in 2007 to the immediate response to the 2008 bill to the 2009 copyright consultation to the 2010 response to Bill C-32. While many dismissed the role of digital activism on copyright, the reality is that it had a huge impact on the shape of Canadian copyright.
Some day, you may be the defendant in a criminal trial that turns on whether the software in a forensic device reached a reliable conclusion about a DNA test or other piece of evidence. Wouldn’t you like to have your own experts check the source code on that device?
An official New Zealand government bulletin on yesterday’s conclusion of the still-secret Trans Pacific Partnership Agreement negotiations accidentally confirmed something we all believed was in there all along: an extension of copyright terms to match the USA’s bizarre, evidence-free, century-plus terms.
Tim Harford, the Financial Times’s Undercover Economist, writes about the Happy Birthday to You court case, which finally settled the question of whether the familiar birthday song was still in copyright (it isn’t) and uses that as a springboard to ask the question: how long should copyright last?
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The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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