Sean T. Collins of The Comics Journal interviewed Uno Moralez, a 44-year-old cartoonist from Bashkortostan. His black-and-white work has an old-timey Macpaint look. Check out his creepy loops.
Collins: I would describe your work as horror. Do you?
Moralez: I don’t think my drawings are frightening. I like to think they are mysterious.
Collins: I’ll agree to the second part of that response. Your drawings are mysterious, since they are both complex and specific in a way that invites us to imagine how the characters and creatures in them got to that point. For example, your recent comic about the small man who steals a jewel from a sleeping woman’s forehead ends with an image of his jewel collection – it seems this is something he has done many times before, and we are left to fill in the blanks. Do you consider the story behind the images when you make them?
Moralez: My short stories derive from images which don’t fit in a one single image, plotwise. This is not exactly a comic, that’s why I draw only key scenes leaving out details. And then reader’s imagination starts to work. That is important.
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Some truths are universal. For one, your phone will always run out of power when you most need it. For another, the charging cords that come packaged with your Apple device will fray, split, and rip faster than Usain Bolt in a game of tag.Instead, pick up a charging cord that anyone would have a tough […]
Some people say magic tricks are nerdy and best left to your 12-year-old asthmatic cousin. But others see value in perfecting the slight of hand and showmanship associated with a perfectly executed routine. We’re firmly in the latter camp. And now, we’re giving you the ability to put a few parlor tricks up your sleeve with the Penguin […]
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