Sean T. Collins of The Comics Journal interviewed Uno Moralez, a 44-year-old cartoonist from Bashkortostan. His black-and-white work has an old-timey Macpaint look. Check out his creepy loops.
Collins: I would describe your work as horror. Do you?
Moralez: I don’t think my drawings are frightening. I like to think they are mysterious.
Collins: I’ll agree to the second part of that response. Your drawings are mysterious, since they are both complex and specific in a way that invites us to imagine how the characters and creatures in them got to that point. For example, your recent comic about the small man who steals a jewel from a sleeping woman’s forehead ends with an image of his jewel collection – it seems this is something he has done many times before, and we are left to fill in the blanks. Do you consider the story behind the images when you make them?
Moralez: My short stories derive from images which don’t fit in a one single image, plotwise. This is not exactly a comic, that’s why I draw only key scenes leaving out details. And then reader’s imagination starts to work. That is important.
When you are trying to imagine the details of an alternative world, try Moebius. Moebius (one of the pseudonyms for the French artist Jean Giraud) practically invented the now-common idea of a well worn future – that place far ahead that is gritty, patched up, organic, and old and new at the same time. Think […]
I loved this interview with 6th-grader cartoonist Sasha Matthews, creator of two historical comic books: Sitting Bull (which we ran on Boing Boing) and Pompeii: Lost and Found. You can buy copies of her comics here.
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