TIL: the fabulous Lynda Barry teaches at the University of Wisconsin! In this lesson, called "Writing the Unthinkable," she shares a neat method to get started on a new piece. It begins by drawing a tight spiral as a meditation.
"Once I start to draw this spiral, I'm starting to get in the mood to write some kind of story."
(Wertzeen) Read the rest
Quadriplegic alcoholic John Callahan was one of the most controversial American cartoonists from the age of newsprint. Now he may finally be getting a long-awaited film about his life starring Joaquin Phoenix and directed by Gus Van Sant. Read the rest
Joan Cornellà's painted cartoon strips are wonderfully weird. Read the rest
Sean T. Collins of The Comics Journal interviewed Uno Moralez, a 44-year-old cartoonist from Bashkortostan. His black-and-white work has an old-timey Macpaint look. Check out his creepy loops.
Collins: I would describe your work as horror. Do you?
Moralez: I don’t think my drawings are frightening. I like to think they are mysterious.
Collins: I’ll agree to the second part of that response. Your drawings are mysterious, since they are both complex and specific in a way that invites us to imagine how the characters and creatures in them got to that point. For example, your recent comic about the small man who steals a jewel from a sleeping woman’s forehead ends with an image of his jewel collection – it seems this is something he has done many times before, and we are left to fill in the blanks. Do you consider the story behind the images when you make them?
Moralez: My short stories derive from images which don’t fit in a one single image, plotwise. This is not exactly a comic, that’s why I draw only key scenes leaving out details. And then reader’s imagination starts to work. That is important.
Uno Moralez! Read the rest
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"I used to spend 20 dollars a year on TOM THE DANCING BUG collections… Happy to support him and pass the word." -Neil Gaiman, Inner Hive member since last week Read the rest
Courtesy of Richard Thompson
Cartoonist Richard Thompson's voice was quiet and reedy when we spoke, although the traces of his Maryland upbringing are clear. His voice sometimes gives out on him, he said, because of Parkinson's disease, a degenerative neuromuscular condition, with which he was diagnosed in 2009. I could understand him just fine when we spoke recently, but, as with so many aspects of his body's expression of Parkinson's, Thompson has just had to learn to work around it. Read the rest