I've never heard of artist A. Paul Weber until I came across this feverish drawing today called "The Rumor." See it in Gigapan here.
From the Weber Museum
Weber was born in Arnstadt, Thüringen. In his youth he joined the Jung-Wandervogel, a movement interested in cultivating a better lifestyle and a heightened appreciation of nature through hiking. Weber's love of his native country and his attachment to nature were awakened by hiking through Germany.
In 1928 Weber became a member of a political circle opposing Hitler and National Socialism, which was centred around Ernst Niekisch. Weber illustated books and periodicals for the Widerstands-Verlag (Resistance Press). The journals were banned and Weber was imprisoned by the Nazis from July to December 1937.
After the Second World War he continued to be a social commentator, with his criticism covering politics, justice, militarism, enviromental pollution, inhumanity, medicine and fanaticism in sports. In 1980, Weber died at the age of 87 in Schretstaken, a small village near Ratzeburg, where he had lived since 1936.
My favorite line in his brief bio: "Weber did not draw in an abstact manner. His critique of this type of art and his opinion of narrow-minded experts and museum visitors can be seen in the next room."
A. Paul Weber
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
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The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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